Dr. Dolittle 2

• TESTED

Eddie Murphy, Kristen Wilson. The good doctor is in when a group of animals recruit him to help save their forest from a gang of developers in this nature-loving sequel. 2001/color/87 min/PG.

The Accidental Spy

• Buck Yuen is a bored and unsuccessful exercise equipment salesman who grew up believing he was an orphan and that his life wouldn't amount to anything unusual. All that changes one day when finds himself in the middle of a bank robbery. He kicks into action and successfully foils the attempted caper. To his astonishment, Buck becomes an instant hero and learns that he's not an orphan after

It’s 1967 and 27-year-old Pan Am stewardess Susan Delaney’s highest aspirations are working first class on transatlantic flights… and meeting Mr. Right. That is, until one July afternoon when Susan agrees to deliver an errant suitcase from New York to Miami Beach. She arrives just in time to find that its owner has jumped â€" or been thrown â€" off a hotel balcony. The suitcase Susan is carrying contains detailed plans for a computer on a chip, an invention of enormous military importance but one! thought to be years away from reality. But whose plans are they? No one seems to know, but among the people who want those plans are the KGB, the CIA, an anti-Casto Cuban exile group, and the Mafia. Susan is recruited by Joe Klein, a handsome Israeli agent, who convinces her of the need to find the plans’ rightful owner. They embark on a round-the-country odyssey aided by Sadie, a grandmotherly El Al air marshal whose knitting bag packs a lethal arsenal. There's one disturbing thing that we as readers know from the outset: that by the end of the story, someone will be murdered. And the nature of the murder is such that Susan has kept it secret until today. The Accidental Spy moves across a fascinating mid-20th-century landscape that will be familiar to viewers of Mad Men. Susan tells her story with an infectious sense of humor that will keep you reading â€" and laughing â€" well into the evening.Dandy Dan McCracken is a rogue wandering around eastern Pennsylvan! ia during the American Revolution. Wounded and on the run from! the law , he's rescued and nursed to health by the lovely ward of Benedict Arnold's procurement officer. When the girl's husband returns from the front, McCracken falls in with British spies. He switches sides again as a result of love and becomes a hero, not through choice but circumstance.Dandy Dan McCracken is a rogue wandering around eastern Pennsylvania during the American Revolution. Wounded and on the run from the law, he's rescued and nursed to health by the lovely ward of Benedict Arnold's procurement officer. When the girl's husband returns from the front, McCracken falls in with British spies. He switches sides again as a result of love and becomes a hero, not through choice but circumstance.

Nathan Abercrombie is getting used to his rotten life as a half-dead zombie. The good thing is he doesn’t feel any pain. The bad thing is his body can’t heal, so he has to be really careful not to break anything. But that’s hard to do when his wrestling-obsessed gym teac! her, Mr. Lomux, matches him up with Rodney the bully, who’s looking for any excuse to break his bones. Then one day, Nathan is approached by the secret organization B.U.M.â€"aka the Bureau of Useful Misadventuresâ€"which offers him a cure in exchange for his help. Nathan jumps at the chance to become the world’s first zombie spy, but soon discovers that B.U.M. isn’t quite what it seems. Can Nathan trust them?

NOT EVERYTHING IS BEAUTIFUL in Tabriz, as Greg Armstrong starts to discover. After witnessing a covert military operation, the dark underworld of international terrorism begins to engulf him. Only the strange expatriate community of Sabah stands between him and the Security Police.

ABOUT THE AUTHOR:
Jacqueline George lives in the far north of Queensland, Australia, on the shores of the Coral Sea. She writes about the things she loves - travel, landscapes, good food. And of course romantic, erotic sex, which also has to be exotic, romantic! , overwhelming and â€" above all â€" believable.NOT EVERYTHING! IS BEAU TIFUL in Tabriz, as Greg Armstrong starts to discover. After witnessing a covert military operation, the dark underworld of international terrorism begins to engulf him. Only the strange expatriate community of Sabah stands between him and the Security Police.

ABOUT THE AUTHOR:
Jacqueline George lives in the far north of Queensland, Australia, on the shores of the Coral Sea. She writes about the things she loves - travel, landscapes, good food. And of course romantic, erotic sex, which also has to be exotic, romantic, overwhelming and â€" above all â€" believable.It’s 1967 and 27-year-old Pan Am stewardess Susan Delaney’s highest aspirations are working first class on transatlantic flights… and meeting Mr. Right. That is, until one July afternoon when Susan agrees to deliver an errant suitcase from New York to Miami Beach. She arrives just in time to find that its owner has jumped â€" or been thrown â€" off a hotel balcony.
The suitcase Susan is carryin! g contains detailed plans for a computer on a chip, an invention of enormous military importance but one thought to be years away from reality. But whose plans are they? No one seems to know, but among the people who want those plans are the KGB, the CIA, an anti-Casto Cuban exile group, and the Mafia.
Susan is recruited by Joe Klein, a handsome Israeli agent, who convinces her of the need to find the plans’ rightful owner. They embark on a round-the-country odyssey aided by Sadie, a grandmotherly El Al air marshal whose knitting bag packs a lethal arsenal.
Through all this, you know an important fact: that before the story's events are completed, someone will be dead. You know this because, in 2011, Susan is being questioned by the police about a body buried in her back yard - a body that had been there since the mid-1960s. What you don't know is whose body it is, but it's a question you'll keep asking yourself as the story unfolds.
The Accidental Spy mov! es across a fascinating mid-20th-century landscape that will b! e famili ar to viewers of Mad Men. Susan tells her story with an infectious sense of humor that will keep you reading â€" and laughing â€" well into the evening.
It’s 1967 and 27-year-old Pan Am stewardess Susan Delaney’s highest aspirations are working first class on transatlantic flights… and meeting Mr. Right. That is, until one July afternoon when Susan agrees to deliver an errant suitcase from New York to Miami Beach. She arrives just in time to find that its owner has jumped â€" or been thrown â€" off a hotel balcony.
The suitcase Susan is carrying contains detailed plans for a computer on a chip, an invention of enormous military importance but one thought to be years away from reality. But whose plans are they? No one seems to know, but among the people who want those plans are the KGB, the CIA, an anti-Casto Cuban exile group, and the Mafia.
Susan is recruited by Joe Klein, a handsome Israeli agent, who convinces her of the need to find the plans’ rightfu! l owner. They embark on a round-the-country odyssey aided by Sadie, a grandmotherly El Al air marshal whose knitting bag packs a lethal arsenal.
Through all this, you know an important fact: that before the story's events are completed, someone will be dead. You know this because, in 2011, Susan is being questioned by the police about a body buried in her back yard - a body that had been there since the mid-1960s. What you don't know is whose body it is, but it's a question you'll keep asking yourself as the story unfolds.
The Accidental Spy moves across a fascinating mid-20th-century landscape that will be familiar to viewers of Mad Men. Susan tells her story with an infectious sense of humor that will keep you reading â€" and laughing â€" well into the evening.

Nathan Abercrombie is getting used to his rotten life as a half-dead zombie. The good thing is he doesn’t feel any pain. The bad thing is his body can’t heal, so he has to be really careful no! t to break anything. But that’s hard to do when his wrestlin! g-obsess ed gym teacher, Mr. Lomux, matches him up with Rodney the bully, who’s looking for any excuse to break his bones. Then one day, Nathan is approached by the secret organization B.U.M.â€"aka the Bureau of Useful Misadventuresâ€"which offers him a cure in exchange for his help. Nathan jumps at the chance to become the world’s first zombie spy, but soon discovers that B.U.M. isn’t quite what it seems. Can Nathan trust them?

Nathan Abercrombie is getting used to his rotten life as a half-dead zombie. The good thing is he doesn’t feel any pain. The bad thing is his body can’t heal, so he has to be really careful not to break anything. But that’s hard to do when his wrestling-obsessed gym teacher, Mr. Lomux, matches him up with Rodney the bully, who’s looking for any excuse to break his bones. Then one day, Nathan is approached by the secret organization B.U.M.â€"aka the Bureau of Useful Misadventuresâ€"which offers him a cure in exchange for his help! . Nathan jumps at the chance to become the world’s first zombie spy, but soon discovers that B.U.M. isn’t quite what it seems. Can Nathan trust them?

In the wake of the 2001 September eleventh terrorist attacks, the New York Times reported that the New York CIA station, headed by a woman, was located in a building of the World Trade Center complex. When the Trade Towers came down, the adjacent CIA office was destroyed as well. Business people and students going overseas were recruited by this CIA station to gather intelligence information while abroad. This is the story of one such person, the challenges he faced, and the affect of his longstanding relationship with the CIA Station Chief.Dandy Dan McCracken is a rogue wandering around eastern Pennsylvania and living by his wits in the middle years of the American Revolution. Through circumstance, he becomes a spy. Wounded and on the run from a sheriff, he’s rescued and nursed back to health by the lo! vely ward of Benedict Arnold’s procurement officer in Philad! elphia. McCracken is enamored of the girl, but when her husband returns from the American front, he flees and falls in with a band of British spies. He switches sides again when he discovers his conscience as a result of falling in love, and not because he favors one side over the other. His actions now â€" not through choice but again through circumstance â€" make him a hero.Coming right off the explosive success of RUSH HOUR and SHANGHAI NOON, action superstar Jackie Chan now delivers even more big-screen thrills! This time, Jackie Chan rises to the occasion in a fun-filled story about an ordinary guy about to kick into an action-packed adventure! Jackie plays a bored and unsuccessful salesman who never thought his life would amount to anything. All that changes one day when he becomes an instant hero by foiling an attempted bank robbery. But his newfound fame uncovers an even bigger surprise: Jackie is actually the latest in a long line of professional spies! Then, as he tr! avels to Turkey to meet the father he's never known, Jackie becomes entangled in a web of mystery and deceit that only he can unravel! Hilarious and endlessly thrilling, THE ACCIDENTAL SPY delivers everything you expect from big-screen favorite Jackie Chan!Jackie Chan returns to dazzling form! If you've watched Chan's Hollywood movies (Rush Hour, Shanghai Noon) and been unimpressed, The Accidental Spy is a good introduction to the astonishing fights and extraordinary stunts that make Chan's Hong Kong films such events. Chan plays an exercise-equipment salesman who turns out to be the missing son of a Korean double agent who's connected with drug lords in Turkey who have developed a super-addictive opium--got all that? The plot is largely nonsensical, a series of implausible escapades that frame the action; but what the movie lacks in logic, it makes up for in spectacle, ranging from a burning runaway truck cascading off a bridge to a stark-nake! d Chan pursued by thugs in a Turkish bazaar, defending himsel! f with e very implement in sight. This is why Jackie Chan is the biggest movie star in the world--check it out. --Bret Fetzer

Amores Perros

• Condition: New
• Format: DVD
• Anamorphic; Color; Dolby; DVD; Subtitled; Widescreen; NTSC

Academy Award® nominee Javier Bardem is Uxbal, a man on the wrong side of the law who struggles to provide for his children on the dangerous streets of Barcelona. As fate encircles him, Uxbal learns to accept the realities of life, whether bright, bad â€" or biutiful â€" in this unforgettable Academy Award®-nominated film from director Alejandro González Iñárritu (Amores Perros, 21 Grams and Babel).A heartbreakingly direct performance by Javier Bardem anchors Biutiful, a film from Mexican auteur Alejandro González Iñárritu (Babel, 21 Grams). Uxbal (Bardem) is not an admirable man: he's a criminal middleman, helping human traffickers and illicit street peddlers in Barcelona. But in the thick of his corrupt and compromised world, Uxbal strives t! o do some modest good: he demands heaters for the cold basement where illegal Chinese laborers sleep and he carefully scrapes together money for his children, whom he deeply adores. On top of all this, Uxbal can commune with the recently dead, and tries to pass on reassurance to the bereaved. When Uxbal himself is diagnosed with severe cancer, he desperately tries to leave behind something better for his children. This plot summary paints a bleak picture, and there's no question this is--much like Iñárritu's other films, including Amores Perros--an emotionally harrowing experience. But Biutiful is also visually rich and deeply humane, and holds moments of grace that can only be found in sadness and loss. The entire cast brings a fullness of life to all of the characters, no matter how briefly they appear, but Bardem almost never leaves the screen and carries the movie with magnetic force. --Bret FetzerAcademy Award® nominee Javier Bardem is Uxbal, a ! man on the wrong side of the law who struggles to provide for ! his chil dren on the dangerous streets of Barcelona. As fate encircles him, Uxbal learns to accept the realities of life, whether bright, bad â€" or biutiful â€" in this unforgettable Academy Award®-nominated film from director Alejandro González Iñárritu (Amores Perros, 21 Grams and Babel).A heartbreakingly direct performance by Javier Bardem anchors Biutiful, a film from Mexican auteur Alejandro González Iñárritu (Babel, 21 Grams). Uxbal (Bardem) is not an admirable man: he's a criminal middleman, helping human traffickers and illicit street peddlers in Barcelona. But in the thick of his corrupt and compromised world, Uxbal strives to do some modest good: he demands heaters for the cold basement where illegal Chinese laborers sleep and he carefully scrapes together money for his children, whom he deeply adores. On top of all this, Uxbal can commune with the recently dead, and tries to pass on reassurance to the bereaved. When Uxbal h! imself is diagnosed with severe cancer, he desperately tries to leave behind something better for his children. This plot summary paints a bleak picture, and there's no question this is--much like Iñárritu's other films, including Amores Perros--an emotionally harrowing experience. But Biutiful is also visually rich and deeply humane, and holds moments of grace that can only be found in sadness and loss. The entire cast brings a fullness of life to all of the characters, no matter how briefly they appear, but Bardem almost never leaves the screen and carries the movie with magnetic force. --Bret FetzerBlue Valentine is the story of love found and love lost told in past and present moments in time. Flooded with romantic memories of their courtship, Dean and Cindy use one night to try and save their failing marriage. Ryan Gosling and Michelle Williams star in this honest portrait of a relationship on the rocks.Love blooms and dies at the same time in th! e delicate dance between Oscar nominees Ryan Gosling (Half ! Nelson) and Michelle Williams (Brokeback Mountain). Gosling's Dean, a high-school dropout, works for a New York moving company. While relocating a frail widower into a retirement home, he spots Cindy, a nursing student who's visiting her grandmother, but the film actually begins six years later. Married with a daughter, they live in rural Pennsylvania. Heavy drinker Dean's looks are fading, while Cindy still turns heads. In his elegantly constructed second feature, writer-director Derek Cianfrance pirouettes between past and present, with each scene commenting on the next (set to the bittersweet tones of Brooklyn band Grizzly Bear). The Dean of the early years pursues Cindy, who resists at first, but a spontaneous date ends with her tap dancing (badly) and him singing (not so badly). She leaves her domineering boyfriend (Mike Vogel) for this attentive stranger, leading to scenes of intimacy that are far more suggestive than pornographic--even if the MPAA briefly rated the! film NC-17. Later, when the family dog goes missing, the cracks in their marriage intensify, so Dean arranges for a night of romance, which plays out like a negative image of their first date. If the two actors, who are very good, are meant to carry equal weight, Gosling has the more difficult task. It's harder to like the clingy, insecure Dean, who loves more intensely and less wisely, but that makes Gosling's the braver performance. --Kathleen C. FennessyThree lives become inextricably linked in the wake of a terrible car crash: a young punk stumbles into the sinister underground world of dog fighting; an injured supermodel's pooch disappears into the apartment's floorboards; and an ex-radical turned hit man rescues a gun-shot Rotweiler. Discover why Amores Perros is the best reviewed film of the year.System Requirements: Running Time 153 MinFormat: DVD MOVIE Genre: DRAMA Rating: R UPC: 658149786424 Manufacturer No: 71479Amores Perros roughly translate! s to "Love's a bitch," and it's an apt summation of this remar! kable fi lm's exploration of passion, loss, and the fragility of our lives. In telling three stories connected by one traumatic incident, Mexican director Alejandro Gonzalez Inarritu uses an intricate screenplay by novelist Guillermo Arriaga to make three movies in close orbit, expressing the notion that we are defined by what we lose--from our loves to our family, our innocence, or even our lives. These interwoven tales--about a young man in love with his brother's pregnant wife, a perfume spokeswoman and her married lover, and a scruffy vagrant who sidelines as a paid killer--are united by a devastating car crash that provides the film's narrative nexus, and by the many dogs that the characters own or care for. There is graphic violence, prompting a disclaimer that controversial dog-fight scenes were harmless and carefully supervised, but what emerges from Amores Perros is a uniquely conceptual portrait of people whom we come to know through their relationship with dogs. The! film is simultaneously bleak, cynical, insightful, and compassionate, with layers of meaning that are sure to reward multiple viewings. --Jeff Shannon

Brooklyn Rules

• TESTED

A gripping tale of three life-long friends struggling with relationships, responsibility and loyalty on the mean streets of 1980 s-era Brooklyn, NY. When the violent influence of the mafia becomes a factor in their friendship, lives will be threatened as the fond memories of the past begin to give way to a potentially grim future.

Produced and directed by Michael Corrente (Outside Providence, American Buffalo) and written by Emmy Award Winning writer Terence Winter (The Sopranos)If Brooklyn Rules, a tale about a trio of good fellas making their way through the mean streets of that New York borough, just happens to remind you of the work of Martin Scorsese, you're not the only one. But even if it's not the most original film in cinematic history, director Michael Corrente's 2007 effort is entertaining enough to hold one's attention for most of its 99 minute running time! . Michael (Freddie Prinze Jr., who also supplies the voice-over narration), Bobby (Jerry Ferrara, Entourage's Turtle), and Carmine (Scott Caan, son of James) are the kind of punks who stole money from the church collection plate when they were Catholic schoolboys. Cut to the 1980s, when they're in their twenties, still close pals but following divergent paths: Michael, a smart, ambitious Columbia undergrad, plans to become a lawyer, while nerdy skinflint Bobby ("You're so cheap, if you saw a sign that said 'free slaps in the face,' you'd be the first in line," says Mike) hopes to land a gig at the post office, and the narcissistic Carmine is falling in with the wrong crowd, courtesy of Caesar Manganaro (Alec Baldwin), a captain in the Gambino crime family. Needless to say, conflicts ensue, as Michael scores a WASP girlfriend (an underused Mena Suvari), a mob war breaks out (based on real events, including the murder of big boss Paul Castellano and the ascension of Jo! hn Gotti), violence strikes tragically close to home, and the ! f-word i s employed liberally. Corrente does a nice job of evoking an era in which Billy Idol and Culture Club ruled the airwaves and Cabbage Patch Dolls were all the rage; and writer Terence Winter, a veteran of The Sopranos, has an ear for colorful, pithy dialogue ("That cardigan makes you look like the Italian Fred MacMurray"… "Depressed? She wouldn't be happy sitting in the lap of Jesus"). But a largely unsatisfying ending underscores the fact that Brooklyn Rules is nothing to go to the mattresses for. Extras including commentary by Corrente and Winter and a video accompanying the Rolling Stones' "Sympathy for the Devil," which is featured on the soundtrack. --Sam Graham

Blue Angels Crossing the Golden Gate Bridge 5 Canvas Print / Canvas Art - Artist Wingsdomain Art ...

• Museum Quality Canvas Print
• Gallery Wrapped on 1.5" Stretcher Bars
• Arrives "Ready to Hang" with Hanging Wire, Mounting Hooks, and Nails
• Available in a Variety of Sizes
• Includes 30-Day Money Back Guarantee

This is a beautiful stretched-canvas print wrapped on 1.5" thick stretcher bars. The print is professionally printed, assembled, and shipped within 2 - 3 business days from our production facility in North Carolina and arrives ready-to-hang on your wall. Fine Art America is home to more than 75,000 artists from all over the world who entrust us to fulfill their print orders online. We offer a 30-day money-back guarantee on every print that we sell and look forward to helping you select your next piece. Keywords: Blue Angels Canvas Print, Blueangels Canvas Print, Fleet Week Canvas Print, San Francisco Fleet Week Canvas Print, San Francisco Canvas Print

Gerson Everlasting Glow 5 Piece Set Resin Flameless LED Candle 2-3x4 Inch, 2-3x6 Inch, 1-3x8 Inch Candles

• 2 - 2" by 4" candles
• 2 - 3" by 6" candles
• 1 - 3" by 8" candle
• 3 AAA batteries included
• Timer feature

Studio: Paramount Home Video Release Date: 01/06/2004 Run time: 103 minutes Rating: R5 piece set resin indoor/outdoor flameless LED candles with timer feature.

Body Armor for iPhone 3G / 3GS - Hot Pink & White

• A Great Protector for Your iPhone 3G & 3GS
• Hard Plastic Case Wrapped in Silicone Outer Casing
• Includes Screen Protector
• Lots of Colors!
• Protect Your iPhone 3G/3GS!

Distributed Version Control with Git gives a practical introduction into the Git version control system. The focus of this book lies in practising the usage of the Git command line for typical Git tasks.

The first chapter will explain what Git is and also introduce some key concepts of Git. Afterwards a typical Git workflow will be explained and demonstrated so that the reader can follow.

The third chapter explains how to branch using Git and how to handle merge conflicts. You will also learn how to rewrite your commit history via the rebase command.

The fourth chapter explains other important tasks that can be! done using Git but are not necessary tasks you would do in a typical workflow, e.g. defining your own Git commands. The next chapter will explain how to access online Git repositories and get pointers how to use Github or Bitbucket as a hosting platform.

The final chapter will give pointers which graphical user interfaces for Git are available.

Distributed Version Control with Git gives a practical introduction into the Git version control system. The focus of this book lies in practising the usage of the Git command line for typical Git tasks.

The first chapter will explain what Git is and also introduce some key concepts of Git. Afterwards a typical Git workflow will be explained and demonstrated so that the reader can follow.

The third chapter explains how to branch using Git and how to handle merge conflicts. You will also learn how to rewrite your commit history via the reba! se command.

The fourth chapter explains other important! tasks t hat can be done using Git but are not necessary tasks you would do in a typical workflow, e.g. defining your own Git commands. The next chapter will explain how to access online Git repositories and get pointers how to use Github or Bitbucket as a hosting platform.

The final chapter will give pointers which graphical user interfaces for Git are available.

Developers need to keep their code from unintended changes. Pro Git is the version control book for all open source developers and quite a few commercial ones, regardless of whether they are hobbyists or professionals. Developed by Linus Torvalds himself, it has taken the open source world by storm and is set to become the standard for open source development.

This is the ultimate iPhone 3G / 3GS protector. It is a hard plastic case wrapped in a smooth silicone with a screen protector included.

Body Glove 90145 Deluxe Ice Pack Knee and Elbow Wrap, Blue, Unisize

• Body Glove unisize deluxe ice pack knee and elbow wrap in blue
• Thermal neoprene traps heat or cold next to body
• Securely wraps arms, legs
• Wide mouth ice/hot water bottle included
• Hand wash cool, mild detergent, dry flat

Turn up the heat in the Volcom Turner Body Con Dress. Plenty of stretch and a body-hugging fit will show off all those hours you spend at the gym and sweating to death in yoga.

Product Features

• Material: cotton, spandex
• Fit: body-con
• Length: mini
• Center Back Length: 32 in
• Built-In Bra:
• Pockets:
• SPF Rating:
• UPF Rating:
• Recommended Use: streetwear
• Manufacturer Warranty: 30 days

Unique patented design is adjustable to fit knees, ankles, wrists or elbows. Plush, premium closed-cell thermal ne! oprene traps warmth or cold next to injured area. Provides adjustable compression. Unisize, adjustable wrap soothes a wide variety of shapes and sizes. Retro-design Wide Mouth Bottle (included) fits into precut opening on the Deluxe wrap, and is easy to fill with ice or warm water. 11-inch bottle of durable nylon and rubber can also be tucked under wrap. . Unlike hard ice and thermal heat blocks, softer bag shape drapes comfortably under or over shoulders, arms and legs. Easy to keep clean: Hand wash in mild detergent and cool water, dry flat.Body Glove unisize deluxe ice pack knee and elbow wrap in blueThermal neoprene traps heat or cold next to bodySecurely wraps arms, legsWide mouth ice/hot water bottle includedHand wash cool, mild detergent, dry flat

e.l.f. Essentials Eyelid Primer (Nude) elf

• Provides smoother, longer lasting, crease-proof eyeshadow application
• Lightweight formula
• Sheer Nude Color #7501

This hilarious Christmas film tells the tale of a young orphan child who mistakenly crawls into Santa's bag of gifts on Christmas Eve and is transported back to the North Pole and raised as an elf. Years later Buddy learns he is not really an elf and goes on a journey to New York City to find his true identity.

DVD Features:
Audio Commentary:2 commentaries with Will Ferrell & Director
DVD ROM Features
Deleted Scenes
Featurette:Film school for kids Tag along with Will Ferrell How they made the North Pole Kids on Christmas and more!
Other:2-Disc Infinifilm DVD Widescreen version on Disc 1 and Fullscreen version on Disc 2 Spanish Language Track Elf Karaoke Read-Along Infinifilm Fact Tack Buddy's Adventure Game! Elf Decoder Card and more!

Elf is genuinely good. Not just Saturday Night Live-movie good, when the movie has some funny bits but is basically an insult to humanity; Elf is a smartly written, skillfully directed, and deftly acted story of a human being adopted by Christmas elves who returns to the human world to find his father. And because the writing, directing, and acting are all genuinely good, Elf is also genuinely funny. Will Ferrell, as Buddy the adopted elf, is hysterically sincere. James Caan, as his rediscovered father, executes his surly dumbfoundedness with perfect aplomb. Zooey Deschanel, as a department store worker with whom Buddy falls in love, is adorably sardonic. Director Jon Favreau (Swingers) shepherds the movie through all the obligatory Christmas cliches and focuses on material that's sometimes subtle and consistently surprising. Frankly, Elf feels miraculous. Also featuring Mary Steenburge! n, Bob Newhart, Peter Dinklage, and Ed Asner as Santa Claus. --Bre t Fetzer

Stills from Elf (click for larger image)

Provides smoother, longer lasting, crease-proof eyeshadow application. Apply before eyeshadow.

Enigma - Love Sensuality Devotion: The Greatest Hits

• ENIGMA LOVE SENSUALITY DEVOTION - GREATEST HITS

This 3CD box with a slipcase and extended booklet features: 17 career-spanning Enigma hits, 12 highly sought after remixes, The Lost Ones: 11 never before released tracks created by Michael Cretu over the entire Enigma career!Reissue of Enigma's double platinum & top 10 debut from 1990 with a six track bonus CD shrinkwrapped on top of the CD album and featuring three mixes apiece of 'Sadeness - Part I' (Meditation Mix, Extended Trance Mix and Violent US Remix) and 'Mea Culpa -So much unnecessary fuss was made over Enigma's juxtaposition of the sexual and sacred. After all, Prince had been doing it for years, and his take on it was far more interesting--and a lot more daring. But Enigma's MCMXC A.D. did manage to work a lot of people into a lather, both on the dance floor and behind the pulpit. Their inclusion of chanting monks in "Sadenes! s," over wooshy ambient noises and a slower hip-hop-appropriated beat was a sensation. "Callas Went Away" promised more than it could deliver, although "Mea Culpa" stands as one of the few shining moments on the CD. The idea of mixing new age aural wallpaper with beats that you can do a slow grind to is actually rather intriguing. Spicing it up with controversial religious chants isn't a bad idea either. But there's got to be something personal to it. After the initial novelty wears off, there's nothing to MCMXC A.D. other than bland, cold, impersonal repetition. Now, that might be what most people are used to, but what's so sexy about it? --Steve GdulaSeven Lives Many Faces is Enigma's seventh album. This album expands the sound catalogue of previous releases and it is expected to lead to a new Omni-Cultural wave. The lead single "Seven Lives" is a powerful fusion of modern and classical elements. Enigma is an Electronic musical project founded by Michael Cre! tu, David Fairstein and Frank Peterson in 1990. Cretu is both ! the comp oser and the producer; his former wife Sandra often provided vocals on Enigma tracks. Jens Gad co-produced and played guitar on three of the Enigma albums.17 tracks.ENIGMA LOVE SENSUALITY DEVOTION - GREATEST HITSA greatest-hits package sampling four Enigma discs released between 1990 and 2000, LSD splendidly documents the influential output of Michael Cretu, a techno-bohemian who successfully creates cinematic, otherworldly New Age-like musical suites. Now, more than a decade removed from the arrival of Sadeness (Part 1) and its eyebrow-raising mix of sacred and sensual subplots, people can debate whether Cretu's music represents savvy commercial calculation or satisfying art. LSD suggests a split decision, though tracks with intriguing blends of atmosphere and rhythm, such as "Gravity of Love," "T.N.T. for the Brain" and "Morphing Thru Time," reveal an inventiveness that demonstrates Cretu is capable of more than sophisticated novelty tunes. Two new son! gs, neither especially noteworthy, open this package. Meanwhile, remastered older tracks segue beautifully to exude a satisfying, seamless unity. Big bonus: run time exceeds 76 minutes. --Terry Wood

Full Speed At High Level (Remastered)

• LP 1978 - CD 2009
• Remastered
• 8 Musictracks
• CD produced 2009 by FLAWED GEMS Records
• ( GEM 1 ) re-issue

This is a more than historical metal album. By the item it was released (1978) some bands didn't even exist (IRON MAIDEN) and other ones (SABBATH, PRIEST) were playing hard rock. HEAVY LOAD deliver uncompromising heavy as hell metal with amazing tunes that will lead you to the great Valhalla. Comes with booklet with lyrics of all songs. If you don't own the vinyl, this disc is a pure necessity.LP 1978 - CD 2009 / Remastered / 8 Musictracks / CD produced 2009 by FLAWED GEMS Records ( GEM 1 ) re-issue

Clockstoppers

• Condition: New
• Format: DVD
• Closed-captioned; Color; Dolby; DVD; Subtitled; Widescreen; NTSC

A TEENAGER DISCOVERS A MYSTERIOUS MACHINE THAT ALLOWS HIM TOFREEZE TIME. NOW, HE'S USING HIS NEW FOUND DEVICE TO GET A FEWTHINGS FOR HIMSELF.Who hasn't fantasized about being able to stop time and move things around? A watch with this power drops into the hands of Zak (Jesse Bradford), a teenager who yearns for speed. He uses it to impress Francesca (Paula Garces), the beautiful girl he's got a crush on, but soon they both find themselves running from a government agency led by a ruthless executive (Michael Biehn from The Terminator) who wants the watch at all costs. Clockstoppers suffers from a lack of any internal logic, but the basic idea fuels a reasonably swift story and some decent special effects. The soundtrack is unusually strong, with pop offerings from ! Blink 182, Sugar Ray, Smash Mouth, and others. Also featuring French Stewart (Love Stinks) as a hapless scientist and Julia Sweeney (It's Pat, God Said "Ha!") as Zak's mother. --Bret Fetzer

John Carpenter's Ghosts of Mars Poster Movie 11x17 Natasha Henstridge Ice Cube Clea DuVall Pam Grier

• Approx. Size: 11 x 17 Inches - 28cm x 44cm
• Size is provided by the manufacturer and may not be exact
• The Amazon image in this listing is a digital scan of the poster that you will receive
• John Carpenter's Ghosts of Mars 11 x 17 Inches Style A Mini Poster
• Packaged with care and shipped in sturdy reinforced packing material

NASTHASHA HENSTRIDGE, PAM GRIER AND ICE CUBE MUST BATTLE IT OUT AGAINST PRIMITIVE MARTIAN GHOSTS WHO WILL STOP AT NOTHING TOANNIHILATE THE HUMAN INVADERS WHO HAVE DISTURBED THEIR PLANET.From John Carpenter, the master of horror behind 1998's hit John Carpenter's Vampires and classics like The Thing and Halloween, comes a sci-fi thriller full of explosive action and bone-chilling suspense. Natasha Henstridge (Species) is Melanie Ballard, a headstrong police lieutenant on Mars in the year 2025. Humans have been coloniz! ing and mining on the red planet for some time, but when Ballard and her squad are sent to a remote region to apprehend the dangerous criminal James "Desolation" Williams, played by Ice Cube (Three Kings), they discover that he's the least of their worries. The mining operations have unleashed a deadly army of Martian spirits who take over the bodies of humans and won't stop until they destroy all invaders of their planet. With a stellar cast including Pam Grier (Jackie Brown), Jason Statham (Snatch) and Clea Duvall (The Faculty), as well as explosive special effects, John Carpenter's Ghosts of Mars is an intergalactic terror fest like you've never seen.Ghosts of Mars may not be one of John Carpenter's finer efforts, but you can't knock the veteran director for staying true to his roots--it's clearly a Carpenter film, reveling in its B-movie blood lust, and fueled by the director's rock & roll rebellion as well as the sex appea! l of star Natasha Henstridge. This rickety sci-fi/horror hybr! id recal ls Carpenter's Assault on Precinct 13, with various connections from throughout the director's career--for better and worse. It's the year 2176, and human colonists on Mars are controlled by a political "matronage," with women (for reasons unexplained) holding court in the capitol city of Chryse. Mars Police Force Lt. Ballard (Henstridge) has been sent to retrieve James "Desolation" Williams (Ice Cube), the planet's most notorious criminal, from a remote mining-colony prison. With her ill-fated crew, Ballard discovers that the colonists have nearly all been possessed by ancient Martian spirits bent on reclaiming the planet, turning them into an army of self-mutilating freaks suggesting an unholy union of Marilyn Manson and the sadomasochistic Cenobites from the Hellraiser films. None of this makes much sense, and the shaky alliance between cops and criminals is a predictable excuse for rampant battle scenes between surviving humans and the ghost-p! ossessed maniacs. Exotic weaponry abounds (along with cheap special effects and some laughable dialogue), resulting in the gruesome dispatch of expendable costars Pam Grier, Joanna Cassidy, Robert Carradine, and Clea Duvall. Driven by Carpenter's synth-metal score, this violent free-for-all has a few brief highlights, but it's suspenseless and ultimately absurd. It's not much, but for loyal fans it's probably enough. --Jeff ShannonGHOSTS OF MARS/VAMPIRES 2-PACK - DVD MovieJohn Carpenter's Ghosts of Mars reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm Style A mini poster print

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DOGMA INCLUDES BONUS DIGITAL COPY

• DVD
• comedy
• thrilling
• fantasy
• angels

When two banished angels find a loophole that will allow them back into heaven at the cost of humankind an unsuspecting mortal woman two prophets and the thirteenth apostle are the only ones who can stop them. Special features: subtitles in english spanish and french talent files and murch more. Studio: Ingram Entertainment Release Date: 07/26/2005 Starring: Ben Affleck Matt Damon Run time: 130 minutes Rating: R Director: Kevin SmithKevin Smith is a conundrum of a filmmaker: he's a writer with brilliant, clever ideas who can't set up a simple shot to save his life. It was fine back when Smith was making low-budget films like Clerks and Chasing Amy, both of which had an amiable, grungy feel to them, but now that he's a rising director who's attracting top talent and tackling bigger themes, it might behoove ! him to polish his filmmaking. That's the main problem with Dogma--it's an ambitious, funny, aggressively intelligent film about modern-day religion, but while Smith's writing has matured significantly (anyone who thinks he's not topnotch should take a look at Chasing Amy), his direction hasn't. It's too bad, because Dogma is ripe for near-classic status in its theological satire, which is hardly as blasphemous as the protests that greeted the movie would lead you to believe.

Two banished angels (Ben Affleck and Matt Damon) have discovered a loophole that would allow them back into heaven; problem is, they'd destroy civilization in the process by proving God fallible. It's up to Bethany (Linda Fiorentino), a lapsed Catholic who works in an abortion clinic, to save the day, with some help from two so-called prophets (Smith and Jason Mewes, as their perennial characters Jay and Silent Bob), the heretofore unknown 13th apostle (Chris Rock), and a sexy,! heavenly muse (the sublime Salma Hayek, who almost single-han! dedly st eals the film). In some ways Dogma is a shaggy dog of a road movie--which hits a comic peak when Affleck and Fiorentino banter drunkenly on a train to New Jersey, not realizing they're mortal enemies--and segues into a comedy-action flick as the vengeful angels (who have a taste for blood) try to make their way into heaven. Smith's cast is exceptional--with Fiorentino lending a sardonic gravity to the proceedings, and Jason Lee smirking evilly as the horned devil Azrael--and the film shuffles good-naturedly to its climax (featuring Alanis Morissette as a beatifically silent God), but it just looks so unrelentingly... subpar. Credit Smith with being a daring writer but a less-than-stellar director. --Mark EnglehartWHEN TWO BANISHED ANGELS FIND A LOOPHOLE THAT WILL ALLOW THEM BACK INTO HEAVEN AT THE COST OF HUMANKIND, AN UNSUSPECTINGMORTAL WOMAN, TWO PROPHETS AND THE THIRTEENTH APOSTLE ARE THE ONLY ONES WHO CAN STOP THEM. SPECIAL FEATURES: SUBTITLES IN EN! GLISH, SPANISH AND FRENCH, TALENT FILES AND MURCH MORE.Kevin Smith is a conundrum of a filmmaker: he's a writer with brilliant, clever ideas who can't set up a simple shot to save his life. It was fine back when Smith was making low-budget films like Clerks and Chasing Amy, both of which had an amiable, grungy feel to them, but now that he's a rising director who's attracting top talent and tackling bigger themes, it might behoove him to polish his filmmaking. That's the main problem with Dogma--it's an ambitious, funny, aggressively intelligent film about modern-day religion, but while Smith's writing has matured significantly (anyone who thinks he's not topnotch should take a look at Chasing Amy), his direction hasn't. It's too bad, because Dogma is ripe for near-classic status in its theological satire, which is hardly as blasphemous as the protests that greeted the movie would lead you to believe.

Two banished angels (Ben Affleck ! and Matt Damon) have discovered a loophole that would allow th! em back into heaven; problem is, they'd destroy civilization in the process by proving God fallible. It's up to Bethany (Linda Fiorentino), a lapsed Catholic who works in an abortion clinic, to save the day, with some help from two so-called prophets (Smith and Jason Mewes, as their perennial characters Jay and Silent Bob), the heretofore unknown 13th apostle (Chris Rock), and a sexy, heavenly muse (the sublime Salma Hayek, who almost single-handedly steals the film). In some ways Dogma is a shaggy dog of a road movie--which hits a comic peak when Affleck and Fiorentino banter drunkenly on a train to New Jersey, not realizing they're mortal enemies--and segues into a comedy-action flick as the vengeful angels (who have a taste for blood) try to make their way into heaven. Smith's cast is exceptional--with Fiorentino lending a sardonic gravity to the proceedings, and Jason Lee smirking evilly as the horned devil Azrael--and the film shuffles good-naturedly to its climax (featu! ring Alanis Morissette as a beatifically silent God), but it just looks so unrelentingly... subpar. Credit Smith with being a daring writer but a less-than-stellar director. --Mark EnglehartOne of the most talked-about movies of the year is also one of the funniest! In this hilarious comic fantasy from writer/director Kevin Smith (Clerks, Chasing Amy) two banished angels (Ben Affleck and Matt Damon) find a loophole that would get them back into Heaven. The only snag? They'll be destroying existence in the process. In an effort to stop them, The overworked Voice of God (Alan Rickman)taps cynical mortal Bethany (Linda Fiorentino) to save the world by preventing the angels from reaching their unholy destination: New Jersey! Throw in two unlikely prophets named Jay and Silent Bob (Jason Mewes and Kevin Smith), the quick-witted yet little-known thirteenth apostle (Chris Rock) and a sexy, former muse with a case of writer's block (Selma Hayek) and you! 've got an hysterical and thrilling race against time packed w! ith an a ll-star cast.Kevin Smith is a conundrum of a filmmaker: he's a writer with brilliant, clever ideas who can't set up a simple shot to save his life. It was fine back when Smith was making low-budget films like Clerks and Chasing Amy, both of which had an amiable, grungy feel to them, but now that he's a rising director who's attracting top talent and tackling bigger themes, it might behoove him to polish his filmmaking. That's the main problem with Dogma--it's an ambitious, funny, aggressively intelligent film about modern-day religion, but while Smith's writing has matured significantly (anyone who thinks he's not topnotch should take a look at Chasing Amy), his direction hasn't. It's too bad, because Dogma is ripe for near-classic status in its theological satire, which is hardly as blasphemous as the protests that greeted the movie would lead you to believe.

Two banished angels (Ben Affleck and Matt Damon) have discovered a loophole ! that would allow them back into heaven; problem is, they'd destroy civilization in the process by proving God fallible. It's up to Bethany (Linda Fiorentino), a lapsed Catholic who works in an abortion clinic, to save the day, with some help from two so-called prophets (Smith and Jason Mewes, as their perennial characters Jay and Silent Bob), the heretofore unknown 13th apostle (Chris Rock), and a sexy, heavenly muse (the sublime Salma Hayek, who almost single-handedly steals the film). In some ways Dogma is a shaggy dog of a road movie--which hits a comic peak when Affleck and Fiorentino banter drunkenly on a train to New Jersey, not realizing they're mortal enemies--and segues into a comedy-action flick as the vengeful angels (who have a taste for blood) try to make their way into heaven. Smith's cast is exceptional--with Fiorentino lending a sardonic gravity to the proceedings, and Jason Lee smirking evilly as the horned devil Azrael--and the film shuffles good-na! turedly to its climax (featuring Alanis Morissette as a beatif! ically s ilent God), but it just looks so unrelentingly... subpar. Credit Smith with being a daring writer but a less-than-stellar director. --Mark EnglehartKevin Smith is a conundrum of a filmmaker: he's a writer with brilliant, clever ideas who can't set up a simple shot to save his life. It was fine back when Smith was making low-budget films like Clerks and Chasing Amy, both of which had an amiable, grungy feel to them, but now that he's a rising director who's attracting top talent and tackling bigger themes, it might behoove him to polish his filmmaking. That's the main problem with Dogma--it's an ambitious, funny, aggressively intelligent film about modern-day religion, but while Smith's writing has matured significantly (anyone who thinks he's not topnotch should take a look at Chasing Amy), his direction hasn't. It's too bad, because Dogma is ripe for near-classic status in its theological satire, which is hardly as blasphemo! us as the protests that greeted the movie would lead you to believe.

Two banished angels (Ben Affleck and Matt Damon) have discovered a loophole that would allow them back into heaven; problem is, they'd destroy civilization in the process by proving God fallible. It's up to Bethany (Linda Fiorentino), a lapsed Catholic who works in an abortion clinic, to save the day, with some help from two so-called prophets (Smith and Jason Mewes, as their perennial characters Jay and Silent Bob), the heretofore unknown 13th apostle (Chris Rock), and a sexy, heavenly muse (the sublime Salma Hayek, who almost single-handedly steals the film). In some ways Dogma is a shaggy dog of a road movie--which hits a comic peak when Affleck and Fiorentino banter drunkenly on a train to New Jersey, not realizing they're mortal enemies--and segues into a comedy-action flick as the vengeful angels (who have a taste for blood) try to make their way into heaven. Smith's cast is exceptional--! with Fiorentino lending a sardonic gravity to the proceedings,! and Jas on Lee smirking evilly as the horned devil Azrael--and the film shuffles good-naturedly to its climax (featuring Alanis Morissette as a beatifically silent God), but it just looks so unrelentingly... subpar. Credit Smith with being a daring writer but a less-than-stellar director. --Mark EnglehartImaginative theology and a bigger-than-usual budget make Kevin Smith's (CHASING AMY, CLERKS) fourth film a kind of post-Catholic fantasy that only a comic-book enthusiast of his caliber could dream up. It concerns banished angels, Loki (Matt Damon) and Bartleby (Ben Affleck) who, after a few millennia in Wisconsin, discover a loophole in Catholic doctrine that would allow them back into heaven--but prove the fallibility of God and destroy the universe. As they make their way to New Jersey to receive a plenary indulgence, God dispatches a seraphim (Alan Rickman) to recruit lapsed-Catholic Bethany (Linda Fiorentino) to stop the angels. She finds help in muses, prophets ! (Jay and Silent Bob), and the forgotten 13th apostle, Rufus (Chris Rock). Before long, all hell breaks loose (literally), and God (Alanis Morrisette) has to put in an appearance of her own. Smith's controversial (and very funny) film is powered by his trademark dialogue, ripe with observations on pop culture, religion, and bodily functions Included bonus digital copy for your PC & PSP must be redeemed by 06/17/09

THE HAUNTING OF MOLLY HARTLEY 27X40 ORIGINAL D/S MOVIE POSTER

• 27x40 inches (approximate dimensions).
• Poster is double sided with a reverse image on the back.
• This poster is an authentic original movie theater poster issued by the studio.
• Makes a great gift!

MOLLY HARTLEY LOOKS TO PUT HER TROUBLED PAST BEHIND HER WITH AFRESH START AT A NEW SCHOOL, WHERE SHE SPARKS WITH ONE OF THE MOST POPULAR STUDENTS. BUT CAN HER SECRETS STAY BURIED, ESPECIALLY AS SHE LEARNS MORE ABOUT THE HORRIFIC TRUTH THAT AWAITS HER ONCE SHE TURNS 18?Studio: Tcfhe Release Date: 09/13/2011 Run time: 85 minutes Rating: Pg13Poster will be rolled in a plastic sleeve and then shipped inside a custom made thick tube for extra protection.

Hannibal Rising (Unrated Widescreen Edition)

• In Red Dragon we learned who he was. In Silence of the Lambs, we learned how he did it. Now comes the most chilling chapter in the saga of Hannibal Lecter the one that answers the most elusive question of all why? Written by Thomas Harris, the best-selling author of the Hannibal book series, this fascinating and terrifying journey into the making of a monster (Pete Hammond, Maxim), reveals for the

(Horror/Suspense) The terrifying Silence of the Lambs prequel that reveals the history of the infamous Hannibal and how he came to be a cannibalistic murderer.Though Hannibal Rising's Lecter (Gaspard Ulliel) is a pussycat compared to Anthony Hopkins in Silence of the Lambs, this sequel's story of revenge is grizzly enough to satisfy lovers of Thomas Harris's epic tale. After young Hannibal (Aaron Thomas) is forced to watch his little sister, Mischa (Helena Lia Tachovska), devoured by s! tarving soldiers in his homeland Lithuania, Hannibal vows to avenge his sister's death by slaying those who committed not only war crimes against the Lecters, but also against other families during WW II. In detailing Hannibal's revenge plan, the film investigates the psychological implications of witnessing cannibalism to justify Hannibal's insatiable appetite for human flesh. The most interesting aspect of Hannibal Risingâ€"its analytical connections drawn between Hannibal's childhood traumas and his murderous adult obsessionsâ€"is also the film's weak point. The links oversimplify Lecter's complex character. For example, though titillating to see flashbacks of Lecter's sister hacked up and boiled while Lecter visits a Parisian meat market, the reference is too obvious. One learns why he excels in his medical school classes dissecting cadavers, and we're given explicit explanation for why he slices off and eats his victims' cheeks. The story only complicates when H! annibal interacts with his sexy Aunt, Lady Murasaki (Gong Li).! When Mu rasaki educates him in the art of beheading, the viewer sees Hannibal's sword fetish as a manifestation of physical lust. --Trinie Dalton

Frequency : Widescreen Edition

• Widescreen

A phenomenon allows police officer John Sullivan (Jim Caviezel) to save the life of his long-dead father (Dennis Quaid). But changing the past leads to a string of brutal, serial homicides. Now, they both must race across time to stop the killer.

DVD Features:
Audio Commentary
Music Only Track
Photo gallery
Theatrical Trailer

Frequency is really two different--though inextricably linked--movies. First, the emotional drama of a father and son reunited after 30 years of separation. Then there's a science fiction thriller, in which a couple of chance solar storms, occurring exactly 30 years apart, can provide the agency through which the father and son can communicate using the very same ham radio in parallel time frames of 1969 and 1999. The son is John Sullivan (Jim Caviezel), a cop, and his father is Frank (Dennis Quaid! ), a firefighter who died on the job when John was 6, which just happens to be tomorrow for Frank when he and his now-adult son begin talking across time. This is great for John, because now he can warn his dad about the upcoming fire and avert the catastrophe that left him fatherless for most of his life. Accomplishing this gives John new memories of his life with Dad, but unfortunately alters the course of a serial killer, with tragic effect on John's family history. Since John's a cop, and the case he's working on turns out to be the same unsolved case from 30 years before, he and his father work together over the ham radio to solve the case and hopefully avert the tragedy that befell their family.

Time-travel stories have always been problematic, demanding either an extra degree of credulity on the part of the audience or an extra level of explanation on the part of storytellers, which is invariably cumbersome. Frequency handles the troublesome time parado! xes by having John explain how, having altered his past, he no! w experi ences both timelines, as if he's had two pasts that converge in his present. And as changes continue to be wrought in John's past, we see him becoming more and more confused. No doubt the audience can sympathize, at least those of us who try to follow the ramifications of the rapidly accruing time fractures. Luckily, the bond between father and son is so strongly realized in the deeply felt performances of both Caviezel and Quaid that you don't even need to consider the science fiction elements in order to enjoy the film. But if you can suspend your disbelief long enough to allow for the possibility of time shifts, you'll have a far richer experience. --Jim GayBecause we see the world from a physical perspective, we often don't notice what's right in front of us â€" that our spirit, thoughts, emotions, and body are all made of energy. Inside us and everywhere around us, life is vibrating. In fact, each of us has a personal vibration that accurately communicates! who we are to the world and helps shape our reality. Frequency shows readers how to feel their personal vibration, improve it, and use it to shift their life from ordinary to extraordinary. A simple shift in frequency can change depression to peace, anger to stillness, and fear to enthusiasm.

Weaving together basic ideas from quantum physics with proven intuition development techniques, Frequency takes readers into deeper concepts only hinted at in recent popular books and DVD's featuring the Law of Attraction. By learning to refine the "conscious sensitivity" of their body, readers can improve relationships, find upscale solutions to problems, and materialize a life that contains everything they want and need to live their destiny.

Frequency gives readers a reassuring, step-by-step roadmap into a positive state of awareness that Peirce calls The Intuition Age. By learning to use "frequency principles" â€" methods based on the way energy actual! ly functions â€" readers can keep their energy level high and ! producti ve, receive subtle information directly from the environment via "empathic resonance," and quickly free themselves from negative or low "vibrations."In this fantasy thriller, a man is given an unusual opportunity to change the past and alter his future. A man whose father died 30 years ago when he was just a boy, makes a startling discovery when working with his ham radio one night: he can speak with his late father over the radio. Having inadvertently found a way to reach into the past, the man desperately struggles to warn his father of the dangers that will come his way, in hopes of changing his tragic fate.DVD Features:
Audio Commentary
Biographies
Documentaries
Interviews
Photo gallery

A renowned intuitive and visionary shows you how to know what you need to know just when you need to know it.

Intuition is not a rare gift that only a gifted few possess but an innate human capacity that can be enhanced and developed. Synthesizing insights from psychology, East- West philosophy, religion, metaphysics, and business, this hands-on workbook in the tradition of Julia Cameron’s The Artist’s Way, can teach anyone to achieve a heightened state of perceptual vitality and integrate it into daily life. Intuition, writes Penney Peirce, is “not the opposite of logic,” but rather “a comprehensive way of knowing life that includes both left-brain analytical thinking and right-brain communication states.” On a practical level, intuition enables us to learn faster and make quicker, more inspire! d decisions. On a deeper level, it “is a powerful tool that can heal the painful split we all feel between our earthly, mundane selves and our divine, eternal selves.” Widely praised in its earlier editions, this new edition of The Intuitive Way, with a Foreword by Carol Adrienne, will introduce Penney Peirce’s pioneering work to a whole new readership.Because science has long taught us to rely on what we can see and touch, we often don't notice that our spirit, thoughts, emotions, and body are all made of energy. Everything is vibrating. In fact, each of us has a personal vibration that communicates who we are to the world and helps shape our reality.

In Frequency, Penney Peirce shows you how to feel your personal vibration and work intentionally with energy to transform your life. By learning to find your "home frequency" -- the highest, most natural personal vibration you can attain -- you can maximize clarity, minimize struggle, and discover new talents! and capacities.

Awakening to the new reality that a highe! r freque ncy reveals can help you dramatically improve relationships, find upscale solutions to problems, and materialize a life that contains everything you need. Frequency shows you how to manage your energy "state" so you can stay on track with your destiny -- and reap the benefits of the life you're truly built for.Because science has long taught us to rely on what we can see and touch, we often don't notice that our spirit, thoughts, emotions, and body are all made of energy. Everything is vibrating. In fact, each of us has a personal vibration that communicates who we are to the world and helps shape our reality.

In Frequency, Penney Peirce shows you how to feel your personal vibration and work intentionally with energy to transform your life. By learning to find your "home frequency" -- the highest, most natural personal vibration you can attain -- you can maximize clarity, minimize struggle, and discover new talents and capacities.

Awakening to the new r! eality that a higher frequency reveals can help you dramatically improve relationships, find upscale solutions to problems, and materialize a life that contains everything you need. Frequency shows you how to manage your energy "state" so you can stay on track with your destiny -- and reap the benefits of the life you're truly built for.Frequency is really two different--though inextricably linked--movies. First, the emotional drama of a father and son reunited after 30 years of separation. Then there's a science fiction thriller, in which a couple of chance solar storms, occurring exactly 30 years apart, can provide the agency through which the father and son can communicate using the very same ham radio in parallel time frames of 1969 and 1999. The son is John Sullivan (Jim Caviezel), a cop, and his father is Frank (Dennis Quaid), a firefighter who died on the job when John was 6, which just happens to be tomorrow for Frank when he and his now-adult son beg! in talking across time. This is great for John, because now he! can war n his dad about the upcoming fire and avert the catastrophe that left him fatherless for most of his life. Accomplishing this gives John new memories of his life with Dad, but unfortunately alters the course of a serial killer, with tragic effect on John's family history. Since John's a cop, and the case he's working on turns out to be the same unsolved case from 30 years before, he and his father work together over the ham radio to solve the case and hopefully avert the tragedy that befell their family.

Time-travel stories have always been problematic, demanding either an extra degree of credulity on the part of the audience or an extra level of explanation on the part of storytellers, which is invariably cumbersome. Frequency handles the troublesome time paradoxes by having John explain how, having altered his past, he now experiences both timelines, as if he's had two pasts that converge in his present. And as changes continue to be wrought in John's past, w! e see him becoming more and more confused. No doubt the audience can sympathize, at least those of us who try to follow the ramifications of the rapidly accruing time fractures. Luckily, the bond between father and son is so strongly realized in the deeply felt performances of both Caviezel and Quaid that you don't even need to consider the science fiction elements in order to enjoy the film. But if you can suspend your disbelief long enough to allow for the possibility of time shifts, you'll have a far richer experience. --Jim GayBestselling author Caroline A. Shearer shares her tips and tools for living a high-frequency life in this special min-e-bookâ„¢.
With mind-opening concepts and tips, "Raise Your Vibration: Tips and Tools for a High-Frequency Life" opens the doorway to your highest and greatest good! This min-e-bookâ„¢ demonstrates how every thought and every action affect our level of attraction, enabling us to attain what we truly want in life.! Divided into categories of mind, body, and spirit/soul, reade! rs will learn practical steps they can immediately put into practice to resonate at a higher vibration and further evolve their souls. A must-read primer for a higher existence!
Are you ready for a high-frequency life?Bestselling author Caroline A. Shearer shares her tips and tools for living a high-frequency life in this special min-e-bookâ„¢.
With mind-opening concepts and tips, "Raise Your Vibration: Tips and Tools for a High-Frequency Life" opens the doorway to your highest and greatest good! This min-e-bookâ„¢ demonstrates how every thought and every action affect our level of attraction, enabling us to attain what we truly want in life. Divided into categories of mind, body, and spirit/soul, readers will learn practical steps they can immediately put into practice to resonate at a higher vibration and further evolve their souls. A must-read primer for a higher existence!
Are you ready for a high-frequency life?DVD

L'enfant et les Sortilges (The Bewitched Child) French/English

• Published by Editions Durand 112 Pages
• French/English
• Composer: Maurice Ravel

Enjoy a tour of France through a child's scrapbook. Follow a young boy, his little sister and his beloved teddy bear on their playful journey around the country. They discover similarities and differences between France and home while singing along the Seine River, climbing the Eiffel Tower, running through lavendar fields, eating pomme frites and sun bathing on the French Riviera. The brilliant watercolor illustrations capture the attention of the reader, while the story introduces exciting new places and over fifty French words.L'ENFANT - DVD MovieA disturbing film about a young Belgian couple and their newborn child, L'Enfant tells a heartbreaking tale that is less about love than about the possibility of moral redemption. We quickly learn what kind of people Sonia and Brun! o are. Sonia (Deborah Francois) is a sweet teenager who has just given birth to Bruno's (Jeremie Renier) child. Instead of visiting her and seeing their baby in the hospital, Bruno sublets her apartment to "friends" who slam the door in her face when she tries to return home. We do not know what Sonia does for a living, but we know she's diligent enough to maintain a small apartment and keep her pantry stocked with instant soup. Bruno, on the other hand, refuses to take a job. Instead, he leads a gang of thieves who're approximately half his age (and height). Still, Sonia loves him. And Bruno, who may be incapable of love, enjoys the carefree benefits of having a girlfriend who doesn't expect too much. All this changes when Bruno does the unthinkable--he sells their child. He calmly explains to her, "I thought we'd have another." Overnight, Sonia changes from a little girl to a bitter woman who no longer excuses Bruno's behavior. When he returns to her apartment claiming he! loves her, she spits back, "You're lying. You can't help it."! Not rea lizing the irony of his own actions, he then begs her for money. Renier and Francois are formidable actors who convey feelings with subtle nuances. Though the film is in French, the viewer never feels lost. The subtitles certainly help, but the actors are so good that their intonations and expressions speak volumes themselves. L'Enfant--a 2005 Cannes winner by filmmaking brothers Jean-Pierre and Luc Dardenne--is a brutal film to watch not because of any gore or violence, but because of the frailty of the characters and their desperation to survive. In his quest to return the child to Sonia, Bruno attempts to become a better human being. But the viewer is never left with the satisfaction of knowing that he will ever be able to truly redeem himself. --Jae-Ha KimSetting a charming text by Colette, Ravel's richly-scored opera L'Enfant et les sortilèges
(The Child and the Spells) is a lyric fantasy whose cast includes fairy tale characters, crockery,
plants a! nd little animals which come to life to chastise the child who has been tormenting them.
However, all ends happily when the child learns compassion. Ravel's life-long fascination with
the exotic orient found inspiration in three poems by Tristan Klingsor, brought together in his
ravishing and enduringly popular song cycle Shéhérazade.Poem by Colette, English translations by Katharine Wolff.

Hoodwinked (Widescreen Edition)

• A new spin on an old fable. In this film, Red, Granny, The Big Bad Wolf and the Woodman, all face Detective Flippers as he attempts to determine the 'real' events of the Little Red Riding Hood story. Original songs and witty humor fill this fun and adventurous film. Format: DVD MOVIE Genre: CHILDREN Rating: PG Age: 796019791090 UPC: 796019791090 Manufacture

Meet Doogal, an adorable candy-loving mutt on a mission to save the world. In this delightful 3D computer-animated adventure, Doogal must prevent the evil sorcerer Zeebad (Jon Stewart) from freezing the earth forever. Joining Doogal (Daniel Tay) on his quest are pals Dylan (Jimmy Fallon), a guitar-playing rabbit, Ermintrude (Whoopi Goldberg), an opera-singing cow, and Brian (William H. Macy), a bashful snail. Hopping on a magic train (Chevy Chase), they travel over ice-capped mountains, navigate fiery pits of lava, and sail across va! st oceans on the journey of a lifetime. Along the way, they learn that the most powerful weapon of all is their friendship â€" which even Zeebad’s magic cannot destroy.A herd of American celebrities--from Whoopi Goldberg to Kevin Smith--have been corralled to redub Doogal, formerly a CGI cartoon from England called The Magic Roundabout based on a French stop-motion tv show from the 1960s called Le Manege Enchante. The title character is a dustmop with a face--presumably a dog of some sort--whose craving for sweets inadvertently traps his beloved owner Florence in a frozen carousel and unleashes an evil wintry wizard named Zeebad (voiced by Jon Stewart, The Daily Show). Doogal and his ragtag group of friends--singing cow Ermintrude (Goldberg, Sister Act), hopeful snail Brian (William H. Macy, Fargo), slacker rabbit Dylan (Jimmy Fallon, Fever Pitch), and a choo-choo train (Chevy Chase, Fletch)--must find three enchante! d diamonds to stop Zeebad and bring spring back to the world. ! Presumab ly, Doogal's target audience is the very young, yet the dialogue (rewritten for the American market) is crammed with allusions to adult fare like Saturday Night Live and Pulp Fiction. In fact--though it may have seemed differently with the original script--the entire movie comes across as an ungainly patchwork stitched together from scenes fromThe Wizard of Oz, Raiders of the Lost Ark, The Matrix, Ice Age, and much more. The effect is not so much funny as inexplicable. Also featuring the voices of Judi Dench (Iris), Ian McKellen (X-Men), and pop star Kylie Minogue. --Bret Fetzer

Features include:

•MPAA Rating: G
•Format: DVD
So you think you know the story of Little Red Riding Hood. Don’t be too sure. . . . One of your favorite fairy tales is turned upside-down and inside-out in what the L.A. Times called "high-energy, imaginative entertainment." With irreverent ! storytelling, spunk and wit, Hoodwinked delivers a comedy caper for the young, the young at heart and everyone in between. When the police arrive at Granny’s cottage in the woods to answer a domestic disturbance call, it looks like just another open-and-shut case. But Red, Granny, the Big Bad Wolf and the Woodsman are not your usual suspects, as they have their own dark secrets, wily deceptions and conflicting accounts of the crime. Together, they must put aside their differences and find their own original twist on Happily Ever After in this "raucous, genre-busting, animated gem (Entertainment Weekly, The Must List)."Hoodwinked fuses the classic fairy tale of Little Red Riding Hood with the crisscrossing storylines of film noir--pretty ambitious stuff for a computer-animated cartoon. The police cordon off Grandma's cottage and an amphibious version of William Powell named Nicky Flippers (voiced by David Ogden Stiers, M*A*S*H) begins interrog! ating the suspects: A Little Red in bell-bottoms (Anne Hathawa! y, El la Enchanted), a Wolf turned investigative journalist (Patrick Warburton, The Woman Chaser), a snow-boarding Granny (Glenn Close, 101 Dalmatians), and a dimwitted would-be Woodsman (Jim Belushi, Curly Sue), each of whom have very different reasons for ending up in that cottage living room. The visual style of Hoodwinked mixes a clunky, video-game look with an homage to the stop-motion puppetry of Rudolph the Red-Nosed Reindeer and other Rankin-Bass holiday specials. While sometimes awkward, there are also moments of surreal beauty, such as when a depressed Red wanders through a field of blue and red flowers--and moments of lunatic comedy, such as the Schnitzel song, which is irresistibly bizarre. The Shrek-style pop-culture references grow annoying, but the left-field goofiness of a yodeling goat points toward a far more distinct and delightful comic world. Also featuring the voices of Anthony Anderson (Kangaroo Jack), rap! per Xzibit, and an especially witty turn by Andy Dick (NewsRadio) as a deceptively cute bunny rabbit. --Bret Fetzer

Sky Fighters (2005) (Region 1) (US Import)

• SKY FIGHTERS CHEVALIERS DU CIEL, LES (DVD MOVIE)

Hephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book is a collaboration focused on Films based on Belgian comics.SKY FIGHTERS - DVD Movie

Freedomland

• Full screen
• Color
• Dolby Digital

An African-American cop investigates a strange child-abduction case and must deal with the racial tension it brings in his neighborhood.
Genre: Suspense
Rating: R
Release Date: 1-MAY-2007
Media Type: DVDThere are an abundance of outstanding performances in the uneven dramatic thriller Freedomland, with leads Samuel L. Jackson and Julianne Moore leading the way for a string of strong actors. The disappointment comes in the telling of the tale and getting all those performances on the same page. The movie is based on a dense novel by the talented and highly acclaimed writer Richard Price (who adapted the screenplay); the setting is a fictional town in Northern New Jersey and the low-income housing complex at its heart. As a housing project cop who's respected for keeping the peace and being fair with ! the residents, Lorenzo Council (Jackson) stumbles onto the case of an apparent carjacking and child abduction one night that throws the projects into turmoil. But there's something fishy in the details Brenda Martin (Moore) slowly brings to light regarding her abductor and her missing child. Jackson and Moore deliver a series of superbly nuanced monologues with varying degrees of passion, but the story can't always keep up with their talky exposition. Most of the burden lies with director Joe Roth, who sometimes finds it hard to make the intricacies of Price's screenplay lively enough. Even so, Freedomland is a serious commentary about racial tension and personal emotion. Supporting players Edie Falco (of The Sopranos fame) and the grandly aging character actor William Forsythe as Lorenzo's partner add greatly to this valiant attempt at a deep dramatic statement. --Ted FryThe celebrated author of Clockers delivers his most compelling and accompli! shed novel to date.

A white woman, her hands gashed and! bloody, stumbles into an inner-city emergency room and announces that she has just been carjacked by a black man. But then comes the horrifying twist: Her young son was asleep in the back seat, and he has now disappeared into the night.

So begins Richard Price's electrifying new novel, a tale set on the same turf--Dempsey, New Jersey--as Clockers. Assigned to investigate the case of Brenda Martin's missing child is detective Lorenzo Council, a local son of the very housing project targeted as the scene of the crime. Under a white-hot media glare, Lorenzo launches an all-out search for the abducted boy, even as he quietly explores a different possibility: Does Brenda Martin know a lot more about her son's disappearance than she's admitting?

Right behind Lorenzo is Jesse Haus, an ambitious young reporter from the city's evening paper. Almost immediately, Jesse suspects Brenda of hiding something. Relentlessly, she works her way into the distraught mother's fragil! e world, befriending her even as she looks for the chance to break the biggest story of her career.

As the search for the alleged carjacker intensifies, so does the simmering racial tension between Dempsey and its mostly white neighbor, Gannon. And when the Gannon police arrest a black man from Dempsey and declare him a suspect, the animosity between the two cities threatens to boil over into violence. With the media swarming and the mood turning increasingly ugly, Lorenzo must take desperate measures to get to the bottom of Brenda Martin's story.

At once a suspenseful mystery and a brilliant portrait of two cities locked in a death-grip of explosive rage, Freedomland reveals the heart of the urban American experience--dislocated, furious, yearning--as never before. Richard Price has created a vibrant, gut-wrenching masterpiece whose images will remain long after the final, devastating pages.


From the Hardcover edition.Actor Joe Morton! takes on all the roles of this audiocassette's multicultural! cast of characters. His grasp of New Jersey accents, dialects, and inflections is flawless, imbuing all of Richard Price's carefully drawn characters with a gritty sense of authenticity. Morton's crisp, controlled narration propels the story forward with taut, edgy suspense. As he reads, he glides effortlessly from his role as narrator to those of the main characters. Single mother Brenda Martin speaks with a breathy, stammering, and truly fear-permeated voice, while the introspective African American detective, Lorenzo Council, has a clipped, businesslike manner of speaking. Morton takes equal care in bringing to life Price's minor characters, whether portraying a no-nonsense, white New Jersey housewife whose voice has been made coarse by too many cigarettes, or an African American Muslim preacher whose commanding bass voice isn't quite powerful enough to spur his community to action. Morton's greatest achievement, however, is his characterization of Council's jaded! , middle-aged white partner, Bump. When Morton slips into the role of Bump, his growling, Jersified Brooklynese is so startling, it almost seems that a life-long resident of Hoboken has stepped into the recording studio and appropriated Morton's microphone. The recording is slightly marred by occasional intrusions of synthesized music that are, for the most part, superfluous and distracting, but Morton's acting abilities and vocal agility are more than sufficient to keep any listener riveted. (Running time: four hours, four cassettes) --Elizabeth LaskeyThere are an abundance of outstanding performances in the uneven dramatic thriller Freedomland, with leads Samuel L. Jackson and Julianne Moore leading the way for a string of strong actors. The disappointment comes in the telling of the tale and getting all those performances on the same page. The movie is based on a dense novel by the talented and highly acclaimed writer Richard Price (who adapted the ! screenplay); the setting is a fictional town in Northern New J! ersey an d the low-income housing complex at its heart. As a housing project cop who's respected for keeping the peace and being fair with the residents, Lorenzo Council (Jackson) stumbles onto the case of an apparent carjacking and child abduction one night that throws the projects into turmoil. But there's something fishy in the details Brenda Martin (Moore) slowly brings to light regarding her abductor and her missing child. Jackson and Moore deliver a series of superbly nuanced monologues with varying degrees of passion, but the story can't always keep up with their talky exposition. Most of the burden lies with director Joe Roth, who sometimes finds it hard to make the intricacies of Price's screenplay lively enough. Even so, Freedomland is a serious commentary about racial tension and personal emotion. Supporting players Edie Falco (of The Sopranos fame) and the grandly aging character actor William Forsythe as Lorenzo's partner add greatly to this valiant attempt! at a deep dramatic statement. --Ted FryBilled as New York's answer to Disneyland, Freedomland opened on June 19, 1960. Designed by Marco Engineering of Los Angeles for the International Recreation Corporation, Freedomland transformed a former landfill, lowlands, and farms into an exciting theme park in the shape of the United States. Through photographs, Freedomland recalls boat rides on the Great Lakes, putting out a fire in Chicago, dancing under the stars at the Moon Bowl, or taking a train ride all the way to San Francisco. Entering Freedomland was like walking into a history book of America for both young and young at heart. Open for five seasons, Freedomland gave its guests and cast members memories that have lasted a lifetime.In 1998, Richard Price returned to the gritty urban landscape of his national bestseller Clockers to produce Freedomland, a searing and unforgettable novel about a hijacked car, a missing child, and an embattled neighborhoo! d polarized by racism, distrust, and accusation.  Freedom! land hit bestseller lists from coast to coast, including those of the Boston Globe, USA Today and Los Angeles Times; garnered universally rave reviews; and was selected as the Grand Prize Winner of the Imus American Book Award and as a New York Times Notable Book.  On May 11, this highly lauded bestseller is available in paperback for the first time.

A white woman, her hands gashed and bloody, stumbles into an inner-city emergency room and announces that she has just been carjacked by a black man. But then comes the horrifying twist: Her young son was asleep in the back seat, and he has now disappeared into the night.

So begins Richard Price's electrifying new novel, a tale set on the same turf--Dempsey, New Jersey--as Clockers. Assigned to investigate the case of Brenda Martin's missing child is detective Lorenzo Council, a local son of the very housing project targeted as the scene of the crime. Under a white-hot medi! a glare, Lorenzo launches an all-out search for the abducted boy, even as he quietly explores a different possibility: Does Brenda Martin know a lot more about her son's disappearance than she's admitting?

Right behind Lorenzo is Jesse Haus, an ambitious young reporter from the city's evening paper. Almost immediately, Jesse suspects Brenda of hiding something. Relentlessly, she works her way into the distraught mother's fragile world, befriending her even as she looks for the chance to break the biggest story of her career.

As the search for the alleged carjacker intensifies, so does the simmering racial tension between Dempsey and its mostly white neighbor, Gannon. And when the Gannon police arrest a black man from Dempsey and declare him a suspect, the animosity between the two cities threatens to boil over into violence. With the media swarming and the mood turning increasingly ugly, Lorenzo must take desperate measures to get to the bottom of Bren! da Martin's story.

At once a suspenseful mystery an! d a bril liant portrait of two cities locked in a death-grip of explosive rage, Freedomland reveals the heart of the urban American experience--dislocated, furious, yearning--as never before. Richard Price has created a vibrant, gut-wrenching masterpiece whose images will remain long after the final, devastating pages.


From the Paperback edition.In Freedomland, Richard Price returns to the gritty terrain he first explored in Clockers. This time, the fictional (but all too convincing) urban eyesore of Dempsy, New Jersey, is convulsed by a high-profile carjacking. A single mom named Brenda Martin insists that a man stopped her car, yanked her from behind the wheel, and drove off with the vehicle--and her young son. Behind these horrific facts looms another: the victim is white and the perpetrator is black. Immediately the racial calculus of American life comes to bear on the crime, which becomes a focus for long-smoldering animos! ities. As a three-ring circus of media, cops, and gawkers converges on the crime scene, Dempsy and the adjoining white community of Gannon seem primed for an explosion. Price passes the narrative baton back and forth between Lorenzo Council, an ambitious black detective, and Jesse Haus, a no-less-ambitious reporter for the local paper. Lorenzo's street-smart, agitated voice is the more convincing of the two. Jesse, with her frantic compulsion to squeeze local color from the crisis, never quite attains three dimensions--although her outsider's relationship to her material suggests some faint, fascinating echo of the author's. In any case, Price allows the story to proceed at an irresistible slow burn. His ear for dialogue is as sharp as ever, and nobody casts a colder or more accurate eye on our fin-de-siècle urban existence.In 1998, Richard Price returned to the gritty urban landscape of his national bestseller Clockers to produce Freedomland! , a searing and unforgettable novel about a hijacked car, ! a missin g child, and an embattled neighborhood polarized by racism, distrust, and accusation.  Freedomland hit bestseller lists from coast to coast, including those of the Boston Globe, USA Today and Los Angeles Times; garnered universally rave reviews; and was selected as the Grand Prize Winner of the Imus American Book Award and as a New York Times Notable Book.  On May 11, this highly lauded bestseller is available in paperback for the first time.

A white woman, her hands gashed and bloody, stumbles into an inner-city emergency room and announces that she has just been carjacked by a black man. But then comes the horrifying twist: Her young son was asleep in the back seat, and he has now disappeared into the night.

So begins Richard Price's electrifying new novel, a tale set on the same turf--Dempsey, New Jersey--as Clockers. Assigned to investigate the case of Brenda Martin's missing child is detective Lorenzo Council,! a local son of the very housing project targeted as the scene of the crime. Under a white-hot media glare, Lorenzo launches an all-out search for the abducted boy, even as he quietly explores a different possibility: Does Brenda Martin know a lot more about her son's disappearance than she's admitting?

Right behind Lorenzo is Jesse Haus, an ambitious young reporter from the city's evening paper. Almost immediately, Jesse suspects Brenda of hiding something. Relentlessly, she works her way into the distraught mother's fragile world, befriending her even as she looks for the chance to break the biggest story of her career.

As the search for the alleged carjacker intensifies, so does the simmering racial tension between Dempsey and its mostly white neighbor, Gannon. And when the Gannon police arrest a black man from Dempsey and declare him a suspect, the animosity between the two cities threatens to boil over into violence. With the media swarming and the mood t! urning increasingly ugly, Lorenzo must take desperate measures! to get to the bottom of Brenda Martin's story.

At once a suspenseful mystery and a brilliant portrait of two cities locked in a death-grip of explosive rage, Freedomland reveals the heart of the urban American experience--dislocated, furious, yearning--as never before. Richard Price has created a vibrant, gut-wrenching masterpiece whose images will remain long after the final, devastating pages.


From the Paperback edition.FREEDOMLAND - 3? Mini DVD for PHThere are an abundance of outstanding performances in the uneven dramatic thriller Freedomland, with leads Samuel L. Jackson and Julianne Moore leading the way for a string of strong actors. The disappointment comes in the telling of the tale and getting all those performances on the same page. The movie is based on a dense novel by the talented and highly acclaimed writer Richard Price (who adapted the screenplay); the setting is a fictional town in Northern New Jersey and the low-income housi! ng complex at its heart. As a housing project cop who's respected for keeping the peace and being fair with the residents, Lorenzo Council (Jackson) stumbles onto the case of an apparent carjacking and child abduction one night that throws the projects into turmoil. But there's something fishy in the details Brenda Martin (Moore) slowly brings to light regarding her abductor and her missing child. Jackson and Moore deliver a series of superbly nuanced monologues with varying degrees of passion, but the story can't always keep up with their talky exposition. Most of the burden lies with director Joe Roth, who sometimes finds it hard to make the intricacies of Price's screenplay lively enough. Even so, Freedomland is a serious commentary about racial tension and personal emotion. Supporting players Edie Falco (of The Sopranos fame) and the grandly aging character actor William Forsythe as Lorenzo's partner add greatly to this valiant attempt at a deep dramatic s! tatement. --Ted FryThe exciting and hauntingly beautifu! l score for Freedomland was composed by James Newton Howard (King Kong, Batman Begins, The Sixth Sense).

About the Movie:
Late one night in a working class New Jersey suburb, a bloodied woman staggers mute and dazed into the emergency room at the Dempsy Medical Center. After treatment for shock and hysteria, Brenda Martin (Julianne Moore) recounts to Dempsy police detective Lorenzo Council (Samuel L. Jackson) a horrific tale of being carjacked on the isolated strip of undeveloped land that divides Dempsy's urban housing projects from the blue collar town of Gannon, where she lives. She claims she was forced out of her car by a black man, but during the interrogation, Council senses he's not getting the whole story. Only after hours of questioning does Brenda finally break down and confess that her four-year-old son, Cody, was asleep in the back seat of the stolen car.

Led by activist Karen Collucci (Edie Falco), members of the communities of Demp! sy and Gannon unite in a search for the missing child, but the criminal investigation into the alleged kidnapping by a suspect who is presumed to be a local from the projects soon ignites long-simmering racial tensions between the two towns. Based on the best-selling novel by Richard Price.In this soundtrack to the thriller starring Julianne Moore and Samuel L. Jackson, James Newton Howard takes a departure from his usual neo-traditional scores. Oh sure, there are atmospheric pianos and lush orchestrations here ("Brenda's Apartment," "Inside Freedomland"), but Howard also ventures out a bit closer to the edge (which still isn't that far-out, but should make his fans jerk to attention). "Main Title," for instance, deploys harsh guitar riffing against discreet synth whooshes reminiscent of the 1980s soundtracks of Giorgio Moroder (a feeling that also creeps up on "Burning"). "Unrest" features striking electronics ricocheting around and creating a percussive, bumping wall tha! t can sound like a game of Pong on steroid. And sometimes, tho! se elect ronics and the melancholy atmospherics meet on the same track, as in "Did They Arrest Anyone?" and "You're in the Wrong Park," and the result is intriguing enough to let one wish Howard would drop the big orchestras more often. --Elisabeth VincentelliBased on the best-selling novel by Richard Price, this explosive thriller stars Academy Award nominees Samuel L. Jackson (1994, Best Supporting Actor, Pulp Fiction) and Julianne Moore (2002, Best Actress, Far From Heaven) and Golden Globe winner Edie Falco ("The Sopranos").

When Brenda Martin (Moore) claims her car was stolen with her son in the backseat, the chilling accusation sparks an intense investigation led by Detective Lorenzo Council (Jackson). The frenzy to find her son escalates into an explosive nightmare of suspicion and accusation, and the search for the truth leads to riveting action, disturbing revelations, and a shocking ending.There are an abundance of outstanding performances in the une! ven dramatic thriller Freedomland, with leads Samuel L. Jackson and Julianne Moore leading the way for a string of strong actors. The disappointment comes in the telling of the tale and getting all those performances on the same page. The movie is based on a dense novel by the talented and highly acclaimed writer Richard Price (who adapted the screenplay); the setting is a fictional town in Northern New Jersey and the low-income housing complex at its heart. As a housing project cop who's respected for keeping the peace and being fair with the residents, Lorenzo Council (Jackson) stumbles onto the case of an apparent carjacking and child abduction one night that throws the projects into turmoil. But there's something fishy in the details Brenda Martin (Moore) slowly brings to light regarding her abductor and her missing child. Jackson and Moore deliver a series of superbly nuanced monologues with varying degrees of passion, but the story can't always keep up with the! ir talky exposition. Most of the burden lies with director Joe! Roth, w ho sometimes finds it hard to make the intricacies of Price's screenplay lively enough. Even so, Freedomland is a serious commentary about racial tension and personal emotion. Supporting players Edie Falco (of The Sopranos fame) and the grandly aging character actor William Forsythe as Lorenzo's partner add greatly to this valiant attempt at a deep dramatic statement. --Ted Fry