Saturday, November 12, 2011

GrooVe IP

  • Call any phone in the U.S. or Canada using your mobile device but not your mobile minutes
  • Get a free public phone number from Google Voice, first
  • Make and receive calls using Wi-Fi and/or 3G if your without a mobile plan or reception
  • Pay incredibly low rates for calls around the world (with the exception of free U.S. and Canada calls)
  • Send incoming calls to voicemail
Parties are not always as fun as they look like they should be. The distinction lies in the realm between watching people have fun and actually having fun. Case in point: Groove. Set in San Francisco over the course of one night, this is the story of a rave, plain and simple. Preparation includes inhabiting an empty warehouse, finding the power supply, and sending out coded invitations. The movie kicks in as the party does, when people start arriving and the DJs start spinning. There's a nic! e moment early on when a cop shows up asking for the owner of the building, who is then taken on a tour of "a new Internet start-up." It becomes even funnier when the cop turns out to be smarter and more compassionate than anyone would expect. Writer-director Greg Harrison does a smart thing by focusing the story on David, a novice who's never been to a rave before, which breaks the story out of what could have been the suffocatingly insular world of rave culture. Unknowingly dosed by someone (his brother?), David is adopted by Layla, an attractive but lonely East Coast transplant who has begun to regret her party lifestyle. Other characters include a guy who's just proposed to his girlfriend, a college teaching assistant selling his own manufactured drugs, a nefarious lothario, a DJ who gets to meet his idol, and a gay couple having trouble finding the party. If the characters turn out to be just character types, that's OK because the movie itself floats by on its own high! -octane enthusiasm. Groove is light and frothy entertai! nment wi th a beat you can dance to. --Andy Spletzer

Bring It On: Fight to the Finish

  • Condition: New
  • Format: DVD
  • AC-3; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC
BRING IT ON - DVD MovieSunny, happy Torrance (Kirsten Dunst) is the new leader of the Toros, the cheerleading squad of Rancho Carne, an affluent San Diego high school that has lousy football players but one hell of a cheerleading team. National champions, they're the ones who bring in the bodies to the football games with their award-winning moves and sassy grace, and they're poised to take their sixth national cheer title. Torrance's new reign as cheer queen, though, is cut short when she discovers that her snotty, duplicitous forerunner was regularly stealing routines from the East Compton Clovers, the hip-hop influenced cheerleaders of a poor inner city school, and passing them off as the original work of the Toros. Scrambling to come up with a new routine for the Toros--and do the righ! t thing by giving the Clovers their due--Torrance butts heads with the proud and understandably wary Isis (Gabrielle Union), the leader of the Clovers, who wants nothing to do with a rich blond white girl, but does want to get her squad to the championships. Problem is, only one team can take home the national title. Who's it gonna be?

An unexpected box-office hit in the late summer of 2000, Bring It On is a smart, snappy teen comedy that bristles with good cheer (literally) and lively, down-to-earth characters. The story may be fairly predictable (who's going to win the big championship?), but director Peyton Reed and screenwriter Jessica Bendinger have fleshed out their characters with formidable strength and provided them with sharp dialogue. Dunst is a radiant comedian, projecting warmth, determination, sincerity, and a sublime airheadedness, and Union is an impressive dancer and counterpart to Dunst, matching her admirably despite her limited onscreen time.! An excellent young supporting cast rounds out the film, most ! notably Eliza Dushku (Faith of Buffy the Vampire Slayer) and Jesse Bradford (Steven Soderbergh's King of the Hill) as siblings new to Rancho Carne, who become Torrance's best friend and potential new boyfriend, respectively. All in all, a pleasantly surprising and intelligent teen movie. Don't miss the opening sequence, a hilarious send-up of all those high school cheerleading routines you had to sit through at boring pep rallies. --Mark EnglehartBring on the spirit, spunk and sass with everyone's favorite cheerleading series in the Bring It On
Collection! All four high-energy, fun Bring It On movies are here: Bring It On, starring Kirsten Dunst; the hilarious sequel Bring It On Again; the elecGet ready for more fun, attitude and excitement in this all-new comedy! When popular Britney Allen (Hayden Panettiere) moves from posh Pacific Vista to working-class Crenshaw Heights, her life goes from cheer-topia to cheer-tastrophe. Britney finds herself at odds with ! her new classmates, especially head cheerleader Camille (Solange Knowles-Smith). But when she wins a spot on the cheer squad and faces her former team in a cross-town cheer-off to star in music sensation Rihanna's upcoming video, only one team can "bring it" and earn a place in cheer history! Starring: Solange Knowles, Hayden Panettiere, Gus Carr, Marcy Rylan, Cindy Chiu, Giovonnie Samuels, Francia Raisa, Danielle Savre, Jessica Nicole Fife, Jake McDorman, Eric Bruskotter, Kiersten Warren, Rihanna Directed by: Steve RashBring It On: All or Nothing is the idealized version of what happens when a rich girl from an elite California school is forced to transfer to an urban setting for her senior year of high school. Former head cheerleader Britney (Hayden Panettiere, Ice Princess) finds herself with a quandary--does she join the new squad, or does she stick to the promise she made to her old teammates that she'll never cheer again? Given that this is the second s! equel to the Bring It On franchise, which started with ! Kirsten Dunst's 2000 flick, and that there's really no reason for this movie to exist without a match-up between Britney's old and new squads, of course she must bring her pompoms out of retirement. In between routines, she manages to land the hottest male cheerleader, Jesse (Gus Carr), and befriend Camille (Beyonce's little sis Solange Knowles-Smith), the feisty head of the squad. She even excuses Britney from practice when the latter lies and says her family pet has died: "Who am I to stand between a white girl and her dead dog?" Beyond the inclusion of a few broad stereotypes dealt for laughs, this straight-to-DVD movie doesn't dwell on any real racial issues that a spoiled white girl actually might face at a predominantly ethnic school. Unlike Dunst's film, which was mindless but well-crafted, this sequel asks nothing of its actors but to look good and leap high. Bring It On: All or Nothing has already been brought. Twice. --Jae-Ha KimChristina Milian stars as sas! sy cheer captain Lina Cruz, whose world is turned upside-down when her family moves from the urban streets of East Los Angeles to the sunny beach town of Malibu. At her new school, Lina clashes with Avery, the ultra-competitive all-star cheer captain, while also falling for Avery’s super-cute brother, Evan. Lina’s always been able to rise to a challenge, but can she create a new all-star squad, beat Avery at the Spirit Championships, and still keep her romance with Evan? Hot music, fierce competition and high-flyin’ fun continue in this all-new movie!Like its predecessors in the Bring It On franchise, Bring It On: Fight to the Finish focuses on a perky cheerleader who's taken out of her comfort zone and ends up excelling in her new environment. This time around, the focus is on Lina Cruz (singer Christina Milian), whose family moves from East Los Angeles to Malibu. The streetwise teen makes an instant frenemy of alpha female Avery (Rachele Brooke Smi! th)--also a cheerleader--at her new school. Never mind that th! e two gi rls don't get along. There's more drama when Lina and Avery's brother Evan (Cody Longo) fall for each other. Though Lina describes her new classmates as living "lifestyles of the rich and annoying" and Avery refers to Lina and her Latina friends as "illegal cheermigrants," the two really aren't that different. Both live for cheerleading and are super driven when it comes to their sport of choice. The viewer gets the impression that if both girls shared the same ethnicity (or at least a similar bank account), they'd be besties at school. The Bring It On franchise was spawned by Kirsten Dunst's hit film from 2000, which clearly had better writing and acting, as well as a larger budget to work with. While films like Bring It On: Fight to the Finish aren't going to win any awards, they do have an appeal to teenage girls and/or cheerleading fans. The plot really doesn't matter so much as the cheerleading choreography and the driving music behind it. And there's ! plenty of both in this production. --Jae-Ha Kim

Stills from Bring it On: Fight to the Finish (Click for larger image)


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Academy Award(R)-winner Julia Roberts (Best Actress, ERIN BROCKOVICH, 2000), David Duchovny (THE X-FILES), and Blair Underwood (RULES OF ENGAGEMENT) star in another acclaimed triumph from Oscar(R)-winning director Steven Soderbergh (Best Director, TRAFFIC, 2001). It's a chaotic day for seven strangers from Hollywood who end up at the birthday party of a mutual friend. Before the night is over, relationships are tested, hearts are broken, and passions are renewed! Also starring Da! vid Hyde Pierce (TV's FRASIER), Catherine Keener (BEING JOHN MALKOVICH), Mary McCormack (K-PAX), and Nicky Katt (INSOMNIA).Director Steven Soderbergh brings a playful spirit and a touch of genius to this oddly gentle Hollywood exposé. Full Frontal follows the lives of several people connected by varying degrees to the production of Rendez Vous, the film within the film that itself contains a film within a film. This layering and teasing of movie-industry standbys happens throughout: L.A. Law star Blair Underwood plays an actor who plays an actor who is a TV star who is making the jump to the big screen, major stars pop up as bit players playing themselves, and even the opening credits are a sly, dead-on parody of opening credits. The actors are clearly having a terrific time skewering movie insiders and, like any members of a family, are allowed to be both more affectionate and more vicious to each other than outsiders. Standouts in a uniformly marvelo! us ensemble cast include David Hyde Pierce as one of the scree! nwriters , and Nicky Katt as an actor doing a truly wretched Hitler. Full Frontal is beautifully written, beautifully performed, and brilliantly realized. --Ali DavisJulia Roberts (Eat Pray Love), David Duchovny (TVs Californication) and Blair Underwood (TV's The Event) star in another acclaimed triumph from Academy Award®-winning director Steven Soderbergh (Traffic, 2001). It's a chaotic day for seven strangers from Hollywood who end up at the birthday party of a mutual friend. Before the night is over, relationships are tested, hearts are broken and passions are renewed. Also starring David Hyde Pierce (TV's Frasier) and Catherine Keener (The 40 Year Old Virgin).Director Steven Soderbergh brings a playful spirit and a touch of genius to this oddly gentle Hollywood exposé. Full Frontal follows the lives of several people connected by varying degrees to the production of Rendez Vo! us, the film within the film that itself contains a film within a film. This layering and teasing of movie-industry standbys happens throughout: L.A. Law star Blair Underwood plays an actor who plays an actor who is a TV star who is making the jump to the big screen, major stars pop up as bit players playing themselves, and even the opening credits are a sly, dead-on parody of opening credits. The actors are clearly having a terrific time skewering movie insiders and, like any members of a family, are allowed to be both more affectionate and more vicious to each other than outsiders. Standouts in a uniformly marvelous ensemble cast include David Hyde Pierce as one of the screenwriters, and Nicky Katt as an actor doing a truly wretched Hitler. Full Frontal is beautifully written, beautifully performed, and brilliantly realized. --Ali Davis
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Feminism isn't dead. It just isn't very cool anymore. Enter Full Frontal Feminism, a book that embodies the forward-looking messages that author Jessica Valenti propagates on her popular website, Feministing.com.

Covering a range of topics, including pop culture, ! health, reproductive rights, violence, education, relationships, and more, Valenti provides young women a primer on why feminism matters.

Valenti knows better than anyone that young women need a smart-ass book that deals with real-life issues in a style they can relate to. No rehashing the same old issues. No belaboring where today's young women have gone wrong. Feminism should be something young women feel comfortable with, something they can own. Full Frontal Feminism is sending out the message to readers â€" yeah, you're feminists, and that's actually pretty frigging cool.
Feminism isn't dead. It just isn't very cool anymore. Enter Full Frontal Feminism, a book that embodies the forward-looking messages that author Jessica Valenti propagates on her popular website, Feministing.com.

Covering a range of topics, including pop culture, health, reproductive rights, violence, education, relationships, and more, Valenti provides young wom! en a primer on why feminism matters.

Valenti knows bett! er than anyone that young women need a smart-ass book that deals with real-life issues in a style they can relate to. No rehashing the same old issues. No belaboring where today's young women have gone wrong. Feminism should be something young women feel comfortable with, something they can own. Full Frontal Feminism is sending out the message to readers â€" yeah, you're feminists, and that's actually pretty frigging cool.
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Sultry crime boss Lucy Diamond (Jordana Brewster, The Fast and the Furious) is back in the states and the D.E.B.S.- an elite team of paramilitary college co-ed superspies- are hot on her trail. But when their top agent, gorgeous Amy Bradshaw (Sara Foster, The Big Bounce), mysteriously disappears after coming face to face with the attractive young villainess, the D.E.B.S. begin a full-scale search for Lucy's secret lair, never suspecting that Amy may not want to be rescued after all, in this smart and sexy spy spoof about love a! t first gun sight.You can say this about D.E.B.S.: director Angela Robinson’s 2005 feature isn’t very good, but it is surprisingly entertaining. The premise, which bears a passing resemblance to any number of previous films (from Heathers and Clueless to Charlie’s Angels and the Austin Powers franchise), involves a secret government agency recruiting young women as spies, based on their smarts, their ability to lie convincingly, and the fact that they look fetching in ultra-miniskirts. Four of the D.E.B.S. are then charged with collaring "criminal mastermind" Lucy Diamond (Jordana Brewster), who has returned to the States after hatching all manner of nefarious plots overseas. Then comes the twist: Diamond is gay, and one of our heroines, Amy Bradshaw (Sara Foster), unexpectedly finds herself falling in love with her. Out goes the espionage element; in comes the love story, and therein lies the surprise, as this burgeoning lesbian rel! ationship is handled with unexpected sympathy, even tenderness! . Sure, the acting, even by veteran grownups like Holland Taylor and Michael Clarke Duncan, is almost uniformly lame, and the script is silly; overall, the film would have to put on considerable weight to even be considered frothy. Still, D.E.B.S. isn’t a bad way to kill a couple of hours. DVD bonus features include a making-of featurette and commentary by Robinson and the cast. --Sam GrahamYou can say this about D.E.B.S.: director Angela Robinson’s 2005 feature isn’t very good, but it is surprisingly entertaining. The premise, which bears a passing resemblance to any number of previous films (from Heathers and Clueless to Charlie’s Angels and the Austin Powers franchise), involves a secret government agency recruiting young women as spies, based on their smarts, their ability to lie convincingly, and the fact that they look fetching in ultra-miniskirts. Four of the D.E.B.S. are then charged with collaring "criminal mastermind! " Lucy Diamond (Jordana Brewster), who has returned to the States after hatching all manner of nefarious plots overseas. Then comes the twist: Diamond is gay, and one of our heroines, Amy Bradshaw (Sara Foster), unexpectedly finds herself falling in love with her. Out goes the espionage element; in comes the love story, and therein lies the surprise, as this burgeoning lesbian relationship is handled with unexpected sympathy, even tenderness. Sure, the acting, even by veteran grownups like Holland Taylor and Michael Clarke Duncan, is almost uniformly lame, and the script is silly; overall, the film would have to put on considerable weight to even be considered frothy. Still, D.E.B.S. isn’t a bad way to kill a couple of hours. DVD bonus features include a making-of featurette and commentary by Robinson and the cast. --Sam GrahamBUSTED - DVD MovieYou can say this about "D.E.B.S.": director Angela Robinson'Äôs 2005 feature isn'Äôt very good, but it is surpr! isingly entertaining. The premise, which bears a passing resem! blance t o any number of previous films (from "Heathers" and "Clueless" to "Charlie'Äôs Angels" and the "Austin Powers" franchise), involves a secret government agency recruiting young women as spies, based on their smarts, their ability to lie convincingly, and the fact that they look fetching in ultra-miniskirts. Four of the D.E.B.S. are then charged with collaring "criminal mastermind" Lucy Diamond (Jordana Brewster), who has returned to the States after hatching all manner of nefarious plots overseas. Then comes the twist: Diamond is gay, and one of our heroines, Amy Bradshaw (Sara Foster), unexpectedly finds herself falling in love with her. Out goes the espionage element; in comes the love story, and therein lies the surprise, as this burgeoning lesbian relationship is handled with unexpected sympathy, even tenderness. Sure, the acting, even by veteran grownups like Holland Taylor and Michael Clarke Duncan, is almost uniformly lame, and the script is silly; overall, the film ! would have to put on considerable weight to even be considered frothy. Still, "D.E.B.S." isn'Äôt a bad way to kill a couple of hours. DVD bonus features include a making-of featurette and commentary by Robinson and the cast. "--Sam Graham"You can say this about D.E.B.S.: director Angela Robinson’s 2005 feature isn’t very good, but it is surprisingly entertaining. The premise, which bears a passing resemblance to any number of previous films (from Heathers and Clueless to Charlie’s Angels and the Austin Powers franchise), involves a secret government agency recruiting young women as spies, based on their smarts, their ability to lie convincingly, and the fact that they look fetching in ultra-miniskirts. Four of the D.E.B.S. are then charged with collaring "criminal mastermind" Lucy Diamond (Jordana Brewster), who has returned to the States after hatching all manner of nefarious plots overseas. Then comes the twist: Diamond is gay, a! nd one of our heroines, Amy Bradshaw (Sara Foster), unexpected! ly finds herself falling in love with her. Out goes the espionage element; in comes the love story, and therein lies the surprise, as this burgeoning lesbian relationship is handled with unexpected sympathy, even tenderness. Sure, the acting, even by veteran grownups like Holland Taylor and Michael Clarke Duncan, is almost uniformly lame, and the script is silly; overall, the film would have to put on considerable weight to even be considered frothy. Still, D.E.B.S. isn’t a bad way to kill a couple of hours. DVD bonus features include a making-of featurette and commentary by Robinson and the cast. --Sam GrahamA reluctant young hero holds the key to the future of mankind in the palm of his hand in this eye-popping, sci-fi adventure. In the year 3028 the Drej, a vicious alien race, has destroyed earth. Fifteen years later a young man named Cale learns he possesses a genetically encoded map to the Titan, a spaceship that holds the secret to the salvation of the human ra! ce. With the Drej in hot pursuit, Cale blasts off with the crew of the Valkyrie in an attempt to find the Titan before the Drej destroy it - and with it, mankind's last chance for a home of their own. Featuring an all-star voice cast that includes Matt Damon and Drew Barrymore and an edgy, out of this world soundtrack, Titan A.E. is an intergalactic thrill ride for a new generation.A visual knockout, Titan A.E. is an ambitious animated feature that combines traditional animations, computer-generated imagery, and special effects in the service of a science fiction adventure plotted with narrative conventions familiar from Star Wars and Star Trek. Credit directors Don Bluth (An American Tail, The Secret of NIMH, Anastasia) and Gary Goldman with crafting a vivid, convincing look to this deep space saga, which conjures some stunning images. A tense opening sequence climaxing in the destruction of Earth, a watery planet where delicate ! but deadly hydrogen trees float, joyriding in a starship while! pursued by playful "space angels," and a nerve-wracking journey through a lethal maze of massive ice crystals each qualify as mesmerizing sequences in any film context.

What's visually stunning proves intermittently stunted on the narrative front, however. Orphaned when the evil Drej atomize Earth, protagonist Cale (voiced by Matt Damon) must journey across space to unlock the mystery of his late father's final project, the Titan spacecraft, in a test of faith and filial identity that echoes Star Wars. The Titan itself ultimately poses a cosmic potential familiar to admirers of Star Trek II: The Wrath of Khan. Comical sidekicks (Nathan Lane, Janeane Garofalo, John Leguizamo), a sultry love interest (Drew Barrymore), and a roguish mentor (Bill Pullman) all verge on the generic, narrowly redeemed by dialogue from a writing team including Buffy the Vampire Slayer creator Joss Whedon.

It's likely that Titan's target audience of young ma! les prompted the filmmakers to walk a tightrope between softer family features and more violent, hard-edged anime. Titan's brief bloodshed and coy nudity stop short of PG-13 terrain, though younger viewers might be unsettled by the violence. Young teens will find the proceedings tamer than the video games and anime fantasies that have influenced it. --Sam SutherlandUn quartetto di spie giovani e sexy è sulle tracce di una spietata criminale il cui solo delitto ultimamente è stato quello di cercare l'anima gemella in una girandola di appuntamenti disastrosi. Ma un incontro inatteso fa sbocciare l'amore tra la cattiva e una delle spie gettando il mondo degli agenti segreti nella più grande confusione.Contact me if you are interested in larger wholesale quantities of this or other products. Designed to fit: Fits Eureka original Manufacture bag part number : 52318, 52318-12, 57697-12 Filteraire, 54921-10, 54021-10 Eureka Mighty Mite canister Series 3000 and 3100 White Westinghouse canister models using style VIP 9020 Does not fit Eureka Might Mite canisters using style MM or N bags! I have other listings for those styles check out my Ebay store. Fits these models and others: Eureka Floorshow Cleaner Model : 3015B , 3035A , 3035B , 3035D, 3020BE Eureka Mighty Mite Canister Model : 3109AM , 3109BM, 3111A , 3123A , 3134A , 3140D , 3140E , 3155A Eureka Home Cleaning System Model 8281D Eureka Commercial Mighty Mite Canister Model S3191B , S3191E Item is: Micron filtration Allergy Bag Traps Bacteria, Dust Mites, etc. down to 0.01 micron At these prices I change my bag once a month whether it is full or not! That gives my vacuum always optimum cleaning performance

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Art School Confidential (2005) DVD Widescreen

  • DVD
  • Widescreen
  • Subtitled English, French, Spanish, Portuguese, Chinese
  • Dolby Digital
"Art School Confidential" follows talented young artist Jerome Platz (Max Minghella) as he escapes from high school to a tiny East Coast art school. Here the boyish freshman's ambition is to become the world's greatest artist, like his hero Picasso. Unfortunately, the beauty and craft of Jerome's portraiture are not appreciated in an anything-goes art class. Neither his harsh judgments of his classmates' efforts nor his later attempts to create pseudo-art of his own win him any admirers. But Jerome does attract the attentions of his dream girl, the stunning and sophisticated Audrey (Sophia Myles), an artist's model and daughter of a celebrated artist. Rejecting the affectations of the local art scene, Audrey is drawn to Jerome's sincerity. When Audrey shifts her attention to Jonah (M! att Keeslar), a hunky painter who becomes the school's latest art star, Jerome is heartbroken. Desperate, he concocts a risky plan to make a name for himself and win her back.Bitter, misanthropic, yet sometimes blisteringly funny, Art School Confidential is not a movie for everyone. Jerome (Max Minghella, Bee Season) goes to art school in the hopes of having his genuine ability recognized and cherished--but instead, finds his teachers to be self-obsessed has-beens, his peers jaded and floundering, and himself being investigated for a series of gruesome stranglings. He becomes obsessed with a lovely student named Audrey (Sophia Myles, Tristan and Isolde), but she's more interested in hunky Jonah (Matt Keeslar, Splendor), whose crude yet acclaimed paintings of cars and tanks make Jerome want to tear his own eyes out. The crime-thriller plot of Art School Confidential, however, is merely a contrivance to string together a series of caustic di! gs at the shallow, narcissistic, talentless hacks who go to ar! t school in the vain hope of achieving fame, wealth, and sexual abundance with little or no effort. For most viewers, who want to think that people are largely well-intentioned and decent, this will seem snide and cruel; but for some viewers, who believe people are foolish and blinkered, Art School Confidential will seem like an oasis in the arid desert of lies and propaganda about the good side of human nature. If this is your movie, you know who you are, and I encourage you to seek it out as soon as possible. Directed by Terry Zwigoff (Bad Santa) and based on the work of cartoonist Dan Clowes; their previous collaboration was the much warmer Ghost World. Also featuring sharp turns from John Malkovich (Being John Malkovich), Anjelica Huston (Prizzi's Honor), and Jim Broadbent (Moulin Rouge!). --Bret Fetzer
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