Monday, November 14, 2011

Family Tree Maker 2011 Essentials

  • Software for discovering your family history and preserving it for generations to come
  • Brand-new user interface; organize media files with drag-and-drop simplicity
  • Enhance family tree with charts, reports, photos, audio, video, and more
  • View timelines and interactive maps; 5 new report styles and 4 new fan chart designs
  • Includes Quick Start Guide and free 1-month Ancestry's membership
With 100+ enhancements to help you, this new version creates your family tree faster, easier and better than ever before. Rich story-telling tools enable you to add photos, documents and videos. You can also incorporate historical records from Ancestry the worlds largest family history website Ancestry Family Tree Maker Essentials Software comes with a free 1-month membership giving you access to immigration and marriage records, census data and much more. Even create charts and r! eports of your tree in a variety of new formats to share with friends and family. The end result is a family history you'll treasure for years to come.

Ancestry.com Family Tree Maker gives you 100+ new and exciting ways to discover your story. Plus, your free one-month Ancestry.com membership provides access to three billion U.S. historical records including immigration and census data that could document your family's story. You'll even find photos, news stories, other family trees, and a helpful community of members that you might be related to.

New user interface
Brand-new user interface plus more than 100 software enhancements makes it easier than ever to discover your family's story.
!

Features

  • Easily discover and preserve your ! family s tory privately and conveniently on your PC.
  • For over 20 years, Family Tree Maker has been the choice of millions.
  • Includes one month of free access to Ancestry.com, the world's largest online family history resource containing immigration and marriage records, census data, and more.*
  • Organize media files with drag-and-drop simplicity.
  • Write family stories that automatically update as facts change in your tree.
  • View timelines and interactive maps highlighting events and places in your ancestors' lives.
  • Bring your family tree alive with attractive books, charts, and reports; photos, audio, and video; timelines and interactive maps.
  • Quick Start Guide--Learn to start your tree and personalize it in no time at all.
View maps
View maps to see where your ancesto! rs may have lived--and track your family's migration paths.

Discover your family story.

Follow the hints.

Just enter what you know into Family Tree Maker. Soon you'll see green leaves or Hints when we've matched one of your ancestors with historical records, family trees, and photos. Click on the leaf to learn more.

NEW -- Learn more from other members.

Ancestry.com has a helpful community of millions. You could easily find other members researching your ancesters, compare notes, and discover more together.

Put your ancestors on the map.

View maps to see where your ancestors may have lived -- and track your family's migration paths.

Census record
1930 Census Record

Preserve your discoveries.

S! ave to your desktop.

Family Tree Maker makes it easy t! o save i nformation you discover on Ancestry.com to your family tree, complete with an electronic copy of the original record.

NEW -- Create Smart Stories.

Just drag and drop facts from your tree to the new Smart Stories page. Each time you edit your tree, stories update automatically.

IMPROVED -- Manage photos and more.

Store photos, audio and video files, electronic records, and more right inside Family Tree Maker. New tools help you to manage them faster than ever before.

5 new report styles and 4 new fan chart designs.
Use five new report styles and four new fan chart designs. Enhance your charts with new backgrounds and embellishments.

Share your family tree.

IMPROVED -- Print charts.

Choose from hundreds of chart options. A! dd images anywhere you like. Then print right at home -- or print professionally.

Invite friends and family.

Upload your tree to Ancestry.com and send email invitations to loved ones so they can view your family tree. You get to decide what each person can see and do in your tree.

IMPROVED -- Create reports.

See and share your tree from different perspectives -- by location, migration path, family name, birthdays, and more.

What's New?

  • Write family stories that automatically update when facts change in your tree.
  • Organize media files with drag and drop simplicity.
  • View more events that occurred during your ancestors' lives. Even edit, delete or add your own historical events.
  • Use five new report styles and four new fan chart designs.
  • Enhance your charts with new backgrounds and embellishments.
  • Automatically number every person in your tree for quick reference.
  • And much more.
!

We make it easy for you.

NEW -! - Quick Start Guide

From starting your tree to personalizing it with family information, photos, and video, you'll create an amazing family history in no time.

* U.S. Essentials Membership term begins upon Family Tree Maker registration and activation of Ancestry.com subscription with a valid credit card. You won't be billed unless you let your subscription renew after the free one month has ended.


Charlie St. Cloud: A Novel

  • ISBN13: 9780553386936
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
A small-town hero and an accomplished sailor who has it all: the adoration of his mother and younger brother and a stanford scholarship. His bright future is cut short when tragedy strikes and takes his dreams with it. Studio: Uni Dist Corp. (mca) Release Date: 11/09/2010 Starring: Zac Efron Ray Liotta Run time: 100 minutes Rating: Pg13 Director: Burr SteersTeen heartthrob Zac Efron (High School Musical, 17 Again) makes an appealing, and wise, choice as the star of Charlie St. Cloud. Efron is able to flex his dramatic acting abilities and can stretch, ever so slightly, into a more adult role, without alienating or being off-putting to his dedicated young fans. And Efron shows! signs of being a terrific young actor, with nuanced skills that have perhaps been overlooked until now, because of his appealing pinup-boy looks. Efron is delicious eye candy in Charlie St. Cloud, no question (though he has to share some of that role with the beautiful British Columbia coastline where the film is set), but he also carries the entire film, which manages to be family drama, tragedy, adventure, and budding love story--with a good dose of "live your life to the fullest" advice built in. Efron plays the title character, a gifted student and sailor who gets a full scholarship to Stanford. But right after graduation, Charlie is involved in a life-changing tragedy--one that shatters his family and his own sense of his place in the world. Efron's Charlie is a lost young man, dedicated to the aftereffects of the tragic accident, and turns from promising young upstart to pitiable recluse--so reclusive that he lives and works at the local graveyard. The entire ! cast is wonderful, and they put their hearts into the sad, yet! ultimat ely uplifting story. Young Charlie Tahan is winsome as Charlie's younger brother, Sam. Kim Basinger, too long away from the big screen, is grounded and believable as the boys' hard-working single mom. Ray Liotta plays a memorable cameo as a paramedic who helps save Charlie after the accident. And Amanda Crew is spunky and adorable as the independent young sailor with a secret crush on Charlie--the "old" Charlie, who was still interested in embracing life--and with possibly the only lifeline that Charlie might actually grab. The chemistry between Efron and Crew is sparkly, and Efron fans will enjoy seeing their idol in more mature love scenes. But not too mature--the raciest of the romance scenes involves Efron (not Crew) taking off his shirt--to fans' delight. If Charlie St. Cloud isn't too original in its plotting, nor especially crisp in its direction, it doesn't matter--Efron's screen appeal is plenty to propel both the story and the action. Efron fans of all ages ! will enjoy watching the young actor begin the process of growing up--just a bit--onscreen. --A.T. HurleyZac Efron stars as Charlie St. Cloud, a small-town hero and an accomplished sailor who has it all: the adoration of his mother and younger brother, and a Stanford scholarship. His bright future is cut short when tragedy strikes, taking his dreams with it. Now Charlie is torn between honoring a promise he made years ago and pursuing his newfound love with a former high-school classmate. Based on the acclaimed bestseller, comes a story of hope, second chances and the transformative power of love, also starring Ray Liotta and Academy Award® winner Kim Basinger.Teen heartthrob Zac Efron (High School Musical, 17 Again) makes an appealing, and wise, choice as the star of Charlie St. Cloud. Efron is able to flex his dramatic acting abilities and can stretch, ever so slightly, into a more adult role, without alienating or being off-putting t! o his dedicated young fans. And Efron shows signs of being a t! errific young actor, with nuanced skills that have perhaps been overlooked until now, because of his appealing pinup-boy looks. Efron is delicious eye candy in Charlie St. Cloud, no question (though he has to share some of that role with the beautiful British Columbia coastline where the film is set), but he also carries the entire film, which manages to be family drama, tragedy, adventure, and budding love story--with a good dose of "live your life to the fullest" advice built in. Efron plays the title character, a gifted student and sailor who gets a full scholarship to Stanford. But right after graduation, Charlie is involved in a life-changing tragedy--one that shatters his family and his own sense of his place in the world. Efron's Charlie is a lost young man, dedicated to the aftereffects of the tragic accident, and turns from promising young upstart to pitiable recluse--so reclusive that he lives and works at the local graveyard. The entire cast is wonderful, and they ! put their hearts into the sad, yet ultimately uplifting story. Young Charlie Tahan is winsome as Charlie's younger brother, Sam. Kim Basinger, too long away from the big screen, is grounded and believable as the boys' hard-working single mom. Ray Liotta plays a memorable cameo as a paramedic who helps save Charlie after the accident. And Amanda Crew is spunky and adorable as the independent young sailor with a secret crush on Charlie--the "old" Charlie, who was still interested in embracing life--and with possibly the only lifeline that Charlie might actually grab. The chemistry between Efron and Crew is sparkly, and Efron fans will enjoy seeing their idol in more mature love scenes. But not too mature--the raciest of the romance scenes involves Efron (not Crew) taking off his shirt--to fans' delight. If Charlie St. Cloud isn't too original in its plotting, nor especially crisp in its direction, it doesn't matter--Efron's screen appeal is plenty to propel both the st! ory and the action. Efron fans of all ages will enjoy watching! the you ng actor begin the process of growing up--just a bit--onscreen. --A.T. HurleyIn a snug New England fishing village, Charlie St. Cloud tends the lawns and monuments of an ancient cemetery where his younger brother, Sam, is buried. After surviving the car accident that claimed his brother's life, Charlie is graced with an extraordinary gift: He can see, talk to, and even play catch with Sam's spirit. Into this magical world comes Tess Carroll, a captivating woman training for a solo sailing trip around the globe. Fate steers her boat into a treacherous storm that propels her into Charlie's life. Their beautiful and uncommon connection leads to a race against time and a choice between death and life, between the past and the future, between holding on and letting go â€" and the discovery that miracles can happen if we simply open our hearts.Questions for Ben Sherwood About Charlie St. Cloud

Q: Did you always imagine your book becoming a movie?
A: In a word...no. I quit a great job at NBC News in New York to write this book. It was a risky career move. I wish I could say the road was easy, but it wasn’t. There were major creative challenges and serious professional setbacks. Indeed, the route from blank page to the finished book might well be described as a near-death publishing experience. Perhaps that’s why I never really imagined this book becoming a movie. Indeed, the very idea of a film adaptation seemed farfetched. As one of my close friends always said: "I’ll believe Charlie St. Cloud is a movie when I’m sitting in the theater and eating popcorn."

Q: How involved were you with the movie and did you write the screenplay?
A: The producers and studio were gener! ous to include me at many stages of the process but I wasn’t! involve d with the movie or screenplay. I was fortunate to visit the production twice, once on location in a cemetery and another time on a soundstage in Vancouver. Each time, I relished how filmmakers turned some of the book’s tiniest details into movie reality. For instance, Major League Baseball sent three small Red Sox mitts for Sam to use when he played catch with Charlie. I watched an assistant prop master carry a brand-new red mitt around all day, rubbing it constantly to give it a well-worn appearance.

On another occasion, the director showed me the closing shot of the film. Today, words still fail to describe the exhilarating experience of seeing Charlie and Tess literally sailing into the sunset. Seven years earlier, in the quiet of my little writing room, I had imagined these two young people on a boat aimed at the open ocean. Suddenly, they were on the screen, leaning into each other with wind tousling their hair and ! sails, steering a Gryphon Solo, one of the world’s fastest fifty-foot sailboats, filmed by a camera mounted on a helicopter hovering above.

Q: How does it feel to see your book turned into a movie?
A: Quite simply, I’m filled with gratitude. To create the movie version of Charlie St. Cloud, it took 28 actors, 34 stunt people, and some 250 crew. When I visited the set in Vancouver, I tried my best to thank every single one, including the wrangler responsible for a noisy flock of geese, the messy bane of Charlie’s existence.

When I called my wife in Los Angeles, she asked, "How does it feel?" I thought for a moment. Then I answered: "I want to hug every person I meet."

Q: Did you imagine Zac Efron as Charlie St. Cloud?
A: In candor, I never imagined Zac Efron in the role of Charlie. Wrecked by loss and grief, Charlie was a character who had wasted many years of his ! precious life. I always imagined Charlie as much older and mu! ch sadde r. Thank goodness I’m not a movie producer.

I salute the studio and producers for realizing that Efron was a perfect choice. Young, dynamic, and charismatic, he embodies the promise of Charlie St. Cloud without the burden and loss. With Efron’s vibrant presence and performance, a sometimes weighty story feels more hopeful and uplifting. As I told Efron when we met in the cemetery in Vancouver, I’m delighted and very thankful that he took the part and filled it with vitality.

Q: How do you feel about the movie being made in Vancouver, Canada instead of Marblehead, Massachussetts, where the novel takes place?
A: I love Marblehead and the people of the town. While researching the book, I traveled to Marblehead several times to walk among the tombstones in Waterside Cemetery, eat breakfast with fishermen at the Driftwood before dawn, drink beers with 'Headers at Maddie's, and compete in my first ! and only sailboat race.

Vancouver is a country away from the wonderful town where I situated the story. But a movie adaptation isn't supposed to be a literal translation of a book. It's an interpretation. While I sincerely hoped that the film would be made in Massachusetts--and while the filmmakers tried their best too--I understood the financial decision to pick Canada, where production costs are significantly lower.

Given this choice, the filmmakers did a great job transplanting Charlie and Sam's story to the Pacific Northwest, which looks absolutely spectacular on film.

Q: Your writing seems to focus on questions of life and death. Why?
A: Maybe it's my age or life experience but I've spent a lot of time thinking about how we overcome grief and loss and make the most of our time on earth. These are subjects that have come to occupy my recent work. Over the last few years, I wrote a nonficti! on book called The Survivors Club, exploring the ! secrets and science of the world’s most effective survivors and thrivers. Interviewing survivors around the world, I discovered even more proof that love is a powerful and universal survival tool. In my own life, falling in love with my future wife, Karen, helped unlock the stranglehold of my father’s sudden and untimely death 17 years ago. (That’s why I dedicated the book to both of them.) In Charlie's case, discovering Tess helped him break free of the cemetery and the suffocating grip of grief.

Q: You have two young sons. What do you hope they take away from this book some day?
A: When I was leaving the movie set in Vancouver to fly home to Los Angeles, one of the producers generously asked if I wanted a souvenir from the production. I asked for one of Sam’s red mitts from Major League Baseball. Our two young boys can play catch with it. Then some day when they outgrow it, the glove can sit in my office, a rem! inder of the power of brotherly love and what happens when you take risks, seize life, and set your imagination free.




Geek Charming

  • ISBN13: 9780142411223
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
The award-winning, critically acclaimed comedy FILM GEEK is about one movie nerd's quest to get a life. When Scotty Pelk (Melik Malkasian) is fired from his video store job for annoying the customers, he hits rock bottom. But then he meets Niko (Tyler Gannon), a sexy free spirit who just might save Scotty from his hopeless existence. Triumphant and hilarious, FILM GEEK celebrates the geek in all of us.Scotty Pelk, the title character in Film Geek, makes Napoleon Dynamite look like James Bond. Scotty is, um, really into movies, and leads a life of relentless geek-itude in Portland, Ore., in slavish devotion to his obsession. He works, of course, in a video store; mans an untrafficked web site, ww! w.scottysfilmpage.com; and argues with customers about what movies they select. He punctuates his few conversations, or even stone silences, with random comments like "Sam Fuller is so underrated." To no one's surprise, he has no life, and the film's relentless scrutiny of his pretty empty existence borders on the painful. And yet--who among us (especially movie fans) can't relate to being so immersed in a subject that everything else fades away? Happily, though Scotty doesn't know it, life is full of surprises--even his cringe-worthy life. The dialogue and acting, especially by Melik Malkasian, who plays Scotty with deadpan perfection, is winning and real. "[Terrence] Malick's only made three films in 30 years, you know," he perkily tells one bemused customer. "We're all waiting for his next one. I know I am." --A.T. HurleyDylan Shoenfield is the princess of L.A.'s posh Castle Heights High. She has the coolest boyfriend, the most popular friends, and a brand-! new "it" bag that everyone covets. But when she accidentally t! osses he r bag into a fountain, this princess comes face-to-face with her own personal frog: selfprofessed film geek Josh Rosen. In return for rescuing Dylan's bag, Josh convinces Dylan to let him film her for his documentary on high school popularity. Reluctantly, Dylan lets F-list Josh into her A-list world, and is shocked to realize that sometimes nerds can be pretty cool. But when Dylan's so-called prince charming of a boyfriend dumps her flat, her life - and her social status - comes to a crashing halt. Can Dylan - with Josh's help - pull the pieces together to create her own happily-ever-after?

Helvetica

  • HELVETICA (DVD MOVIE)
I Want My MTV. Think Small. Just Do It. Got Milk? Where do these phrases come from? ART & COPY introduces the cultural visionaries who revolutionized advertising during the industry s golden age in the 1960s by creating slogans to live by and ads we all remember. You may have never heard of them, but pop pioneers Lee Clow, Hal Riney, George Lois, Mary Wells, Jeff Goodby, Rich Silverstein, Phyllis K. Robinson, Dan Wieden, and David Kennedy have changed the way we eat, work, shop, and communicate often in ways we don t even realize. From the introduction of the Volkswagen to America to the triumph of Apple Computers, ART & COPY explores the most successful and influential advertising campaigns of the 20th century, and the creative minds that launched them.George Clooney (The Perfect Storm) and John Turturro (Cars 2)embark on the adventure of a lifetime in thi! s hilarious, offbeat road picture. And now, for the first time, this quirky gem shines more brightly than ever in Blu-ray High Definition! Fed up with crushing rocks on a prison farm in Mississippi, the dapper, silver-tongued Ulysses Everett McGill (Clooney) busts loose...except he's still shackled to two misfits from his chain gang: bad-tempered Pete (Turturro), and sweet, dimwitted Delmar (Tim Blake Nelson). With nothing to lose and buried loot to regain, the three embark on a riotous odyssey filled with chases, close calls, near misses and betrayal. Experience every unpredictable moment as it plays out in the crystal-clear sound and breathtaking picture quality of Blu-ray. Populated with strange characters, including a blind prophet, sexy sirens, and a one-eyed Bible salesman (John Goodman), O Brother, Where Art Thou? will leave you laughing at every outrageous and surprising twist and turnOnly Joel and Ethan Coen, the fraternal director and producer team behind a! rt-house hits such as The Big Lebowski and Fargo! and mas ters of quirky and ultra-stylish genre subversion, would dare nick the plot line of Homer's Odyssey for a comic picaresque saga about three cons on the run in 1930s Mississippi. Our wandering hero in this case is one Ulysses Everett McGill, a slick-tongued wise guy with a thing about hair pomade (George Clooney, blithely sending up his own dapper image) who talks his chain-gang buddies (Coen-movie regular John Turturro and newcomer Tim Blake Nelson) into lighting out after some buried loot he claims to know of. En route they come up against a prophetic blind man on a railroad truck, a burly, one-eyed baddie (the ever-magnificent John Goodman), a trio of sexy singing ladies, a blues guitarist who's sold his soul to the devil, a brace of crooked politicos on the stump, a manic-depressive bank robber, and--well, you get the idea. Into this, their most relaxed film yet, the Coens have tossed a beguiling ragbag of inconsequential situations, a wealth of looping, left-field dialog! ue, and a whole stash of gags both verbal and visual. O Brother (the title's lifted from Preston Sturges's classic 1941 comedy Sullivan's Travels) is furthermore graced with glowing, burnished photography from Roger Deakins and a masterly soundtrack from T-Bone Burnett that pays loving homage to American '30s folk styles--blues, gospel, bluegrass, jazz, and more. And just to prove that the brothers haven't lost their knack for bad-taste humor, we get a Ku Klux Klan rally choreographed like a cross between a Nuremberg rally and a Busby Berkeley musical. --Philip KempHelvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which will celebrate its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. The film is an exploration of urban spaces in major cities and the type that inhabits them, and a fluid discussion with renowned ! designers about their work, the creative process, and the choi! ces and aesthetics behind their use of type.

Casino Royale (Two-Disc Collector's Edition + BD Live) [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • AC-3; Collector's Edition; Color; Dolby; Dubbed; Subtitled; Widescreen
Casino Royale introduces JAMES BOND before he holds his license to kill. But Bond is no less dangerous, and with two professional assassinations in quick succession, he is elevated to "00" status. "M" (Judi Dench), head of the British Secret Service, sends the newly-promoted 007 on his first mission that takes him to Madagascar, the Bahamas and eventually leads him to Montenegro to face Le Chiffre, a ruthless financier under threat from his terrorist clientele, who is attempting to restore his funds in a high-stakes poker game at the Casino Royale. "M" places Bond under the watchful eye of the Treasury official Vesper Lynd. At first skeptical of what value Vesper can provide, Bond's interest in her deepens as they brave danger together. Le Chiffre's cunning and cruelt! y come to bear on them both in a way Bond could never imagine, and he learns his most important lesson: Trust no one.The most successful invigoration of a cinematic franchise since Batman Begins, Casino Royale offers a new Bond identity. Based on the Ian Fleming novel that introduced Agent 007 into a Cold War world, Casino Royale is the most brutal and viscerally exciting James Bond film since Sean Connery left Her Majesty's Secret Service. Meet the new Bond; not the same as the old Bond. Daniel Craig gives a galvanizing performance as the freshly minted double-0 agent. Suave, yes, but also a "blunt instrument," reckless, and possessed with an ego that compromises his judgment during his first mission to root out the mastermind behind an operation that funds international terrorists. In classic Bond film tradition, his global itinerary takes him to far-flung locales, including Uganda, Madagascar, the Bahamas (that's more like it), and Montenegro, where he is p! itted against his nemesis in a poker game, with hundreds of mi! llions i n the pot. The stakes get even higher when Bond lets down his "armor" and falls in love with Vesper (Eva Green), the ravishing banker's representative fronting him the money.


For longtime fans of the franchise, Casino Royale offers some retro kicks. Bond wins his iconic Astin-Martin at the gaming table, and when a bartender asks if he wants his martini "shaken or stirred," he disdainfully replies, "Do I look like I give a damn?" There's no Moneypenny or "Q," but Dame Judi Dench is back as the exasperated M, who one senses, admires Bond's "bloody cheek." A Bond film is only as good as its villain, and Mads Mikkelsen as Le Chiffre, who weeps blood, is a siniste! r dandy. From its punishing violence and virtuoso action sequences to its romance, Casino Royale is a Bond film that, in the words of one character, makes you feel it, particularly during an excruciating torture sequence. Double-0s, Bond observes early on, "have a short life expectancy." But with Craig, there is new life in the old franchise yet, as well as genuine anticipation for the next one when, at last, the signature James Bond theme kicks in following the best last line ever in any Bond film. To quote Goldie Hawn in Private Benjamin, now I know what I've been faking all these years. --Donald Liebenson

Stills from Casino Royale (click for larger image)










GTMax Black Rapid Retractable Car Charger for Verizon Samsung Fascinate Galaxy S CDMA Cellphone

Dolls

  • Legendary director & actor Takeshi Kitano (Brother, The Blind Swordsman: Zatoichi) departs from his usual stylish gangster thrillers to present a masterpiece that is both artistic and moving. Bound by a long red cord, a young couple wanders in search of something they have tragically forgotten. An aging yakuza boss mysteriously returns to the park where he once met his long-past girlfriend. A disf
A mysterious drifter (Josh Hartnett) and a young Japanese Warrior Yoshi (Gackt) both arrive in a town that has been terrorized by outrageous and virulent criminals. Each is obsessed with his seperate mission, and guided by the wisdom of The Bartender (Woody Harrelson) at the Horseless Horseman Saloon, the two eventually join forces to bring down the corrupt and contemptuous reign of Nicola (Ron Perlman), the awesomely evil woodcutter and his lady Alexandra (Demi Moore), a femme fatale with a secre! t past.A mysterious drifter (Josh Hartnett) and a young Japanese warrior Yoshi (Gackt) both arrive in a town that has been terrorized by outrageous and virulent criminals. Each is obsessed with his separate mission, and guided by the wisdom of The Bartender (Woody Harrelson) at the Horseless Horseman Saloon, the two eventually join forces to bring down the corrupt and contemptuous reign of Nicola (Ron Perlman), the awesomely evil woodcutter and his lady Alexandra (Demi Moore), a femme fatale with a secret past.You think your childhood was rough? Check out the opening 20 minutes of Conan the Barbarian, a bone-cracking coming-of-age prologue that fully explains the "Barbarian" part of the name. The film gets off to a ripping start, including li'l Conan's lethal dispatching of a crowd of restless natives (it's not every lad that returns from camp with the decapitated heads of his enemies dangling from his shoulders) and a great deal of hoo-hah about the forging of sword! s. As the character grows into manhood, played by Jason Momoa ! (Game of Thrones), the cascade of brutality continues: boiling oil, nose trauma, death by metal fingernails--you name it, the movie has it. The "origin story" plot is a workable way into the world of pulp writer Robert E. Howard's hero: Conan seeks vengeance for the death of his father (Ron Perlman) and pursues power-hungry Khalar Zym (Stephen Lang, enjoying the fruits of Avatar), who in turn seeks the final piece of a many-tailed magic mask, which will give him untold power. Rose McGowan is all spooky as Khalar's daughter (she's got the fingernails) and Rachel Nichols is an innocent slated to be sacrificed by the evildoers. Director Marcus Nispel rolls out the tech hardware for this relentless action picture, pumping up every sound with a digital whammy that might make your head feel it has been split in two by Conan's mighty sword (that is, if you didn't already feel that from the chaotic cutting--since the movie was originally released in uninspired 3-D, this visual! unpleasantness was enhanced in theaters). The movie's not a complete bust, but it is a fairly punishing experience. As for Momoa, he's got the pectorals, and generally comes across as a likable sort. Of course, Conan isn't supposed to be a likable sort, so his casting will likely trigger an unexpected response in viewers familiar with the 1982 version of the character. You will miss Arnold Schwarzenegger. --Robert HortonA naïve young man assumes a dead man's identity in order to join a underworld game of Russian Roulette. The stakes are high, but the payout is more than he can resist. His only collateral is his life and however long his luck can hold. Are his odds any better than any other player in this most deadly game?What happens when a man with everything a beautiful wife (Nicole Kidman), a teenage daughter (Liana Liberato) and a wealthy estate is confronted with the reality of losing it all? That is what Kyle Miller (Nicolas Cage) must come to terms with as h! e and his family become the victims of a vicious home invasion! . Led by Elias (Ben Mendelsohn) and Jonah (Cam Gigandet), a gang of cold-blooded thugs holds Kyle and his loved ones hostage as they carry out their plans to take everything that Kyle holds dear, including his life.Kyle and Sarah Miller (Nicolas Cage and Nicole Kidman) are minding their own business, enjoying the fruits of his lavish success as a diamond salesman. Well, maybe not "enjoying"--there are hints this marriage isn't exactly fulfilling either spouse. Out of the blue, a gang of jewel thieves arrive to take the couple hostage, find the loot, and threaten their teenage daughter (Liana Liberato) in the bargain. And with that setup, Trespass is off and running for 90 minutes of pretty-near nonstop crazy-time, as the thieves begin to unravel and motor-mouth Kyle tries to talk them out of whatever latest strategy they attempt. When you learn that the film is directed by Joel (Batman & Robin) Schumacher, you may assume that the tone will be lurid, and it is. But darn! ed if Schumacher doesn't manage to make a guilty-pleasure sort of experience out of the hothouse dialogue and rampant overplaying; if this movie had been produced on a low budget with unknown actors, it would probably be hailed as a B-movie sleeper. Cage overdoes the nerd factor, but Kidman manages to find some eerie moments (and cinematographer Andrzej Bartkowiak sure knows how to photograph her). Adding value is the chief hostage-taker, Ben Mendelsohn, whose sinister performance in Animal Planet marked him as a villain to watch; here, he memorably tries to keep it together as he juggles his fragile brother (Cam Gigandet), a trigger-happy henchman (Dash Mihok), and a strung-out girlfriend (Jordana Spiro). For the record, the absurd plot turns are almost impossible to defend, but the movie hurtles along so insanely you may not have time to care. --Robert HortonIn a young Republic of China, where greedy warlords fuel a period of war and strife, Hou Jie (Andy La! u) arrogantly shows no mercy to his enemies seeking refuge wit! h the be nign and compassionate Shaolin monks. After unscrupulously killing a wounded enemy, Hou Jie pays a terrible price for his actions and is forced to seek refuge in the same Shaolin Monastery he blatantly disrespected. Hou Jie s traitorous second-in-command Cao Man (Nicholas Tse) continues where the once-warlord left off, betraying his country and his own people. Hou Jie must adapt to Shaolin principles to stop the monster he created.

Bonus Features
English Dub
Deleted Scenes
US Trailers
International TrailersBased loosely on the 1982 martial arts epic Shaolin Temple, which helped to mint Jet Li as a star, this Hong Kong blockbuster from Benny Chan stars Andy Lau as a battle-weary warlord who finds refuge and then solace among the monks of a Shaolin temple. Set during the tumult of early Republican China, the story unfolds as Lau's warlord usurps his rivals, but at the cost of his daughter's life and his wife's loyalty. His spirit crushed, he decides to ato! ne for his violent past by joining a Shaolin order (which counts Jackie Chan, in a glorified cameo, as its cook). Lau's path to enlightenment is cast into doubt when he discovers that his former second-in-command (Nicholas Tse, in an enjoyably overripe performance) has enslaved the local population and forced them to unearth relics in order to pay for greater weapons. Things naturally come to a head between Lau and Tse, but the film is less concerned with sprawling martial arts battles than the emotional conflicts between and within its major players. Honor, familial loyalty, remorse, and pursuit of spiritual wholeness are cornerstones of Hong Kong action films, but the depth of the performances and screenplay (by Alan Yuen) lends rich nuances to the subjects, often at the expense of adding an extra fight scene to the picture. That's perhaps a good thing, as martial arts choreographer Corey Yuen's usual pyrotechnics are hobbled somewhat by his leads, who are fine actors but! only modest fighters, leaving the firepower to wushu champion! Wu Jing as a Shaolin elder. Chan's formidable talents are used to underscore his comic contributions to the film, and as such, are only mildly entertaining. That's also how most martial arts fans will view Shaolin, though those who value theme as well as action may find it a frequently thoughtful diversion. The Blu-ray collector's edition features a gallery of deleted scenes (mostly extended versions of scenes in the theatrical cut) and trailers, as well as a pair of by-the-books featurettes on the film's production. Slightly more interesting are a handful of interviews with the principals, which touch on the picture's historical basis and the '82 Li film, among other subjects. --Paul GaitaYou think your childhood was rough? Check out the opening 20 minutes of Conan the Barbarian, a bone-cracking coming-of-age prologue that fully explains the "Barbarian" part of the name. The film gets off to a ripping start, including li'l Conan's lethal dispatching of a crowd! of restless natives (it's not every lad that returns from camp with the decapitated heads of his enemies dangling from his shoulders) and a great deal of hoo-hah about the forging of swords. As the character grows into manhood, played by Jason Momoa (Game of Thrones), the cascade of brutality continues: boiling oil, nose trauma, death by metal fingernails--you name it, the movie has it. The "origin story" plot is a workable way into the world of pulp writer Robert E. Howard's hero: Conan seeks vengeance for the death of his father (Ron Perlman) and pursues power-hungry Khalar Zym (Stephen Lang, enjoying the fruits of Avatar), who in turn seeks the final piece of a many-tailed magic mask, which will give him untold power. Rose McGowan is all spooky as Khalar's daughter (she's got the fingernails) and Rachel Nichols is an innocent slated to be sacrificed by the evildoers. Director Marcus Nispel rolls out the tech hardware for this relentless action picture, pum! ping up every sound with a digital whammy that might make your! head fe el it has been split in two by Conan's mighty sword (that is, if you didn't already feel that from the chaotic cutting--since the movie was originally released in uninspired 3-D, this visual unpleasantness was enhanced in theaters). The movie's not a complete bust, but it is a fairly punishing experience. As for Momoa, he's got the pectorals, and generally comes across as a likable sort. Of course, Conan isn't supposed to be a likable sort, so his casting will likely trigger an unexpected response in viewers familiar with the 1982 version of the character. You will miss Arnold Schwarzenegger. --Robert HortonInspired by the everlasting emotions expressed in Japanese Bunraku doll theatre, Dolls weaves three stories delicately intertwined by the beauty of sadness. Bound by a long red cord, a young couple wanders in search of something they have tragically forgotten. An aging yakuza mysteriously returns to the park where he used to meet his long-past girlfriend. A disf! igured pop star confronts the phenomenal devotion of her biggest fanDolls is a film of extraordinary beauty and tenderness from a filmmaker chiefly associated with grave mayhem and deadpan humor. That is to say, this is not one more Takeshi Kitano movie focused on stoical cops or gangsters. The title refers most directly, but not exclusively, to the theatrical tradition of Bunraku, enacted by half-life-size dolls and their visible but shrouded onstage manipulators. Such a performance--a drama of doomed lovers--occupies the first five minutes of the film, striking a keynote that resonates as flesh-and-blood characters take up the action.

The film-proper is dominated by the all-but-wordless odyssey of a susceptible yuppie and the jilted fiancée driven mad by his desertion to marry the boss's daughter. Bound by a blood-red cord, they move hypnotically through a landscape variously urban and natural, stylized only by the breathtaking purity of light, angle, color, a! nd formal movement imposed by Kitano's compositional eye and r! igorous, fragmentary editing. Along the way we also pick up the story of an elderly gangster, haunted by memories of the lover he deserted three decades earlier and generations of "brothers" for whose deaths he was, in the accepted order of things, responsible. Another strand is added to the imagistic weave via a doll-like pop singer and a groupie blinded by devotion to her.

This is a film in which character, morality, metaphysics, and destiny are all expressed through visual rhyme and startling adjustments of perspective. It sounds abstract--and it is--but it's also heartbreaking and thrilling to behold. Kitano isn't in it, but as an artist he's all over it. His finest film, and for all its exoticism, his most accessible. --Richard T. Jameson

The Godfather the Game

  • Presents classic moments from the movies and original missions alongside memorable characters from the film
  • Non-linear action-adventure gameplay -- countless choices for solving the family's problems with brutal violence, skillful diplomacy, or a cunning mixture of both
  • From mob hits and bank heists to drive-bys and extortion, you'll need a talent for intimidation and negotiation - these are your tickets to the top
  • Use loyalty and fear to earn respect through interactions with characters in the world
  • Decisions you make will have lasting consequences, just as it was in the mob underworld featured in The Godfather films
Liz, a successful author arrives at a beach in the magical Sinai Desert in search of her runaway daughter Rachel. While there she meets a Bedouin storyteller who reveals to her the tragic love story between Leila an Israeli tourist and Najim, the ! son of a Bedouin Sheik. A passionate affair that took place many years before on the same exotic beach with the two lovers caught amidst warring cultures and the tragic decision by Najim to bring Leila into his Muslim tribe where Leila is exposed to a traumatic tradition. Find out what secrets are divulged, whose lives are changed and which ghosts come back to haunt them.God's Feet are in My Sandbox is one of the most powerful and captivating first-hand accounts of God's movement in our world to affirm life, love, forgiveness and hope. Rick's story will rock your world! --Sister Helen Prejean , author of Dead Man Walking and The Death of Innocents

Having spent 16 years as chaplain for a unit of 2200 men, and ministering to 95 men on their last day in the Death House, I am totally committed to the fact that this is an important ministry and that these are people. Rev. Anderson writes greatly of how important it is to see them as people and to un! derstand the fact that restorative justice is possible. He sti! ll has t o face the system.
--Rev. Carroll Pickett, author of Within These Walls

God's Feet are in My Sandbox could have only been written by my friend, Rick Anderson.  Rick demonstrates not only immense wisdom of the subject of Texas' Death Row but provides an invaluable resource for all who struggle to reconcile faith to justice.
--Rudy Rasmus, author of Touch: Pressing Against the Wounds of a Broken World

Dare to enter one man's Spirit-filled world that overflows with the rejuvenating power of Almighty God. Join him as he ministers to condemned men in their dungeons and testifies to God's unbridled love poured out. Walk beside him as he risks it all to reach out to the most hated man on Texas' Death Row.God's Feet are in My Sandbox is one of the most powerful and captivating first-hand accounts of God's movement in our world to affirm life, love, forgiveness and hope. Rick's story will rock your world! --Sister Helen Prejean , aut! hor of Dead Man Walking and The Death of Innocents

Having spent 16 years as chaplain for a unit of 2200 men, and ministering to 95 men on their last day in the Death House, I am totally committed to the fact that this is an important ministry and that these are people. Rev. Anderson writes greatly of how important it is to see them as people and to understand the fact that restorative justice is possible. He still has to face the system.
--Rev. Carroll Pickett, author of Within These Walls

God's Feet are in My Sandbox could have only been written by my friend, Rick Anderson.  Rick demonstrates not only immense wisdom of the subject of Texas' Death Row but provides an invaluable resource for all who struggle to reconcile faith to justice.
--Rudy Rasmus, author of Touch: Pressing Against the Wounds of a Broken World

Dare to enter one man's Spirit-filled world that overflows with the rejuvenating! power of Almighty God. Join him as he ministers to condemned ! men in t heir dungeons and testifies to God's unbridled love poured out. Walk beside him as he risks it all to reach out to the most hated man on Texas' Death Row.God's Feet are in My Sandbox is one of the most powerful and captivating first-hand accounts of God's movement in our world to affirm life, love, forgiveness and hope. Rick's story will rock your world! --Sister Helen Prejean , author of Dead Man Walking and The Death of Innocents

Having spent 16 years as chaplain for a unit of 2200 men, and ministering to 95 men on their last day in the Death House, I am totally committed to the fact that this is an important ministry and that these are people. Rev. Anderson writes greatly of how important it is to see them as people and to understand the fact that restorative justice is possible. He still has to face the system.
--Rev. Carroll Pickett, author of Within These Walls

God's Feet are in My Sandbox could have only been writ! ten by my friend, Rick Anderson.  Rick demonstrates not only immense wisdom of the subject of Texas' Death Row but provides an invaluable resource for all who struggle to reconcile faith to justice.
--Rudy Rasmus, author of Touch: Pressing Against the Wounds of a Broken World

Dare to enter one man's Spirit-filled world that overflows with the rejuvenating power of Almighty God. Join him as he ministers to condemned men in their dungeons and testifies to God's unbridled love poured out. Walk beside him as he risks it all to reach out to the most hated man on Texas' Death Row.An Israeli woman falls in love with a Bedouin Muslim in this steamy love story set in the Middle east.

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.The Godfather puts you into the action of the legendary films, while you relive the classic moments of the Corleone family. After a life of small-time jobs and p! etty thefts, you are accepted into the Corleone family -- Amer! ica's mo st famous criminal organization. It will be up to you to carry out orders, earn respect and make New York City your own. Featuring the voices of James Caan and Robert Duvall and the likeness of Marlon Brando

The Adventures of Rocky and Bullwinkle & Friends ~ Fractured Fairy

  • Limited edition!
  • Very collectable!
  • Born April 9, 2000
  • Surface washable
  • Retired!
Watch out American television viewers! Rocky and Bullwinkle do battle against Boris Badenov's band of TV antennae-eating rodents. Full color.Bullwinkle J. Moose has the world's largest collection of box tops, which makes him the prime suspect when someone starts redeeming counterfeit box tops for goodies in the stores.ADVENTURES OF ROCKY AND BULLWINKLE - DVD MovieThe problem with live-action movies based on beloved cartoon characters is that humans are never as flexible, as unpredictable, or just plain as goofy as their animated counterparts. So it is with this blend of animation and live action. Rocky and Bullwinkle remain animated characters (trapped in our reality), while Boris and Natasha (Jason Alexander and Rene Russo), along with their boss, Fearless Leader (Robert De Niro! ), are transformed from cartoons to human reproductions when they escape from rerun land. They've come to our world to take it over; the FBI springs Rocky and Bullwinkle from the second dimension to stop them. But the writing in Kenneth Lonergan's script lacks the throw-away flair of the jokes that characterized Jay Ward's much-beloved animated series of the late 1950s and early 1960s. Part of the problem is that Russo, Alexander, and De Niro are so obviously working at acting cartoonish, instead of simply being cartoons. And part is that the script rarely comes up with the kind of wonderful wordplay in which Ward specialized. The moose, as usual, gets all the best lines, but they're too few and far between to salvage this underachieving summer film. --Marshall FineIn order to steal a priceless collection of art masterpieces from a Paris museum, archvillains Boris and Natasha fold the unframed paintings up, put them in a small package, and mail them to a certain mo! ose in Frostbite Falls, Minnesota--figuring that only Bullwink! le would be stupid enough to sell them the paintings back. Ah, the classic world of Jay Ward animation! The compilation Painting Theft demonstrates what makes Rocky & Bullwinkle unique among cartoons: their elaborate, episodic storytelling. Warner Bros. and Hanna-Barbera cartoons relied almost exclusively on single situations and freewheeling slapstick, but Rocky & Bullwinkle stories stretched on and on, with snaky, absurd twists. Not only did this allow the animators to come up with a wide variety of jokes and puns (terrible, terrible puns), but it also let them delight in the sheer joys of storytelling--how rapidly and deliriously they could gallop from one silly circumstance to the next. Even the shorter cartoons (Dudley Do-Right, Peabody's Improbable History, and Fractured Fairy Tales) are packed with wild reversals and ridiculous turns. Plus, they used some superb voice talent (including Edward Everett Horton, a great character actor best known for supporting roles in Fr! ed Astaire and Ginger Rogers musicals), and had an eye for sneaky satire of the adult world--as can be seen when Bullwinkle's whitewashed canvases spark an insane bidding war in the art world. Rocky & Bullwinkle are a consistent pleasure. --Bret FetzerMost of the tape is devoted to the misadventures of that sterling hero, Dudley Do-Right of the RCMP. In one cartoon, Dudley, Snidely Whiplash, Nell, and Inspector Fenwick succumb to the show-biz bug and form a vaudeville act. Even funnier is Snidely confessing to having "a thing" about tying ladies to railroad tracks. He's ready to give himself up, but Nell defends him in a courtroom performance that Portia might envy. Rounding out the program is a visit to the first Mountie by Sherman and Mr. Peabody, Aesop and Son's retelling of "The Hound and the Wolf," and the Fractured Fairy Tale of "The Frog Prince." Rocky and Bullwinkle make only cameo appearances in this collection that includes Mr. Know-It-All explaini! ng how to be a stuntman--er, moose. Also, Bullwinkle enacts "! Simple S imon" with Boris as the pie man, but the nursery rhyme quickly degenerates into a variation on Abbot and Costello's "Who's on First" routine. The Jay Ward cartoons are always fun to watch, but at 39 minutes, this tape seems a bit brief. Fans who watch credits may not realize that executive producer "Ponsonby Britt" never existed: Ward and Bill Scott needed one at some point, so they made him up. --Charles SolomonThe problem with live-action movies based on beloved cartoon characters is that humans are never as flexible, as unpredictable, or just plain as goofy as their animated counterparts. So it is with this blend of animation and live action. Rocky and Bullwinkle remain animated characters (trapped in our reality), while Boris and Natasha (Jason Alexander and Rene Russo), along with their boss, Fearless Leader (Robert De Niro), are transformed from cartoons to human reproductions when they escape from rerun land. They've come to our world to take it over;! the FBI springs Rocky and Bullwinkle from the second dimension to stop them. But the writing in Kenneth Lonergan's script lacks the throw-away flair of the jokes that characterized Jay Ward's much-beloved animated series of the late 1950s and early 1960s. Part of the problem is that Russo, Alexander, and De Niro are so obviously working at acting cartoonish, instead of simply being cartoons. And part is that the script rarely comes up with the kind of wonderful wordplay in which Ward specialized. The moose, as usual, gets all the best lines, but they're too few and far between to salvage this underachieving summer film. --Marshall FineFractured Fairy is part of the Adventures of Rocky and Bullwinkle. She wears a blue dress & hat and carries a yellow star wand.

Glass Houses (Morganville Vampires, Book 1)

  • ISBN13: 9780451219947
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Megan Davis is a smalltown civil litigator who dropped out of the world for a year after her husband died in a plane crash. Now back at her job and her house and her life, she finds herself faced with an old client, Jeremy Waldoch, who tells her a female former employee has brought a case against him.

It's not Waldoch's first defense. It's not even the first defense Megan's handled for him.

There was another one before. Another former employee. Another woman. Another set of claims arising out of sex, out of relationships gone bad, and - as Megan starts to discover when she digs into the new case - out of diamonds and deceit and murder.

But she's not the only one looking! at Jeremy Waldoch. Megan's agreement to take the case sets her on a course that brings her to the attention of Jackson Hanley, a federal agent with an altogether different interest in Megan's client.

Hanley's task is to bring down the man who runs Laurentian Mines, a violently aggressive diamond mining company - a "glass house" - in a forgotten corner of South Africa. That man is Waldoch himself, and when Hanley can't get Waldoch for what he's done in Africa, he knows he'll have to find a way to get him in the United States.

When all those worlds come together, Megan faces choices she doesn't want and options she doesn't like, ultimately finding herself in the middle of a battle between Hanley and Waldoch, truth and lies, and right and wrong - a battle that extends across continents and an ocean in a shattering series of events that may cost her everything she has.

The Kindle ebook edition of Glass House also includes the first chapter of O! micron, which is also available for Kindle.

Reinken! is the author of Judgment Day, described by Publishers Weekly as "a nearly seamless medical/legal chiller that's one slick piece of work."Megan Davis is a smalltown civil litigator who dropped out of the world for a year after her husband died in a plane crash. Now back at her job and her house and her life, she finds herself faced with an old client, Jeremy Waldoch, who tells her a female former employee has brought a case against him.

It's not Waldoch's first defense. It's not even the first defense Megan's handled for him.

There was another one before. Another former employee. Another woman. Another set of claims arising out of sex, out of relationships gone bad, and - as Megan starts to discover when she digs into the new case - out of diamonds and deceit and murder.

But she's not the only one looking at Jeremy Waldoch. Megan's agreement to take the case sets her on a course that brings her to the attention of Jackson Hanley, a federal agent with an altoget! her different interest in Megan's client.

Hanley's task is to bring down the man who runs Laurentian Mines, a violently aggressive diamond mining company - a "glass house" - in a forgotten corner of South Africa. That man is Waldoch himself, and when Hanley can't get Waldoch for what he's done in Africa, he knows he'll have to find a way to get him in the United States.

When all those worlds come together, Megan faces choices she doesn't want and options she doesn't like, ultimately finding herself in the middle of a battle between Hanley and Waldoch, truth and lies, and right and wrong - a battle that extends across continents and an ocean in a shattering series of events that may cost her everything she has.

The Kindle ebook edition of Glass House also includes the first chapter of Omicron, which is also available for Kindle.

Reinken is the author of Judgment Day, described by Publishers Weekly as "a nearly seamless medical/legal chiller that's! one slick piece of work."London 1817

On a cold Jan! uary nig ht, former cavalry officer Captain Gabriel Lacey is summoned to the banks of the Thames to identify a body. She is not who he fears it might be, but when Lacey looks down at the pretty, dead young woman, cut down too soon, he vows to find her murderer.

Lacey's search for the killer takes him from the seamy streets of the East End, to gatherings of the London ton in Mayfair, to the chambers of respectable Middle Temple barristers. Lacey investigates The Glass House, a sordid gaming hell that played a large part in the victim's past.

In the course of his investigation, Lacey uncovers secrets from the highborn and the low, finds himself drawn deeper into the schemes of a crime lord, and searches for a way to ease the difficulties of his own life.

Book 3 of the Captain Lacey Regency Mysteries. For fans of Kate Ross, Anne Perry, and C.S. Harris. This is a full-length novel.London 1817

On a cold January night, former cavalry officer Captain! Gabriel Lacey is summoned to the banks of the Thames to identify a body. She is not who he fears it might be, but when Lacey looks down at the pretty, dead young woman, cut down too soon, he vows to find her murderer.

Lacey's search for the killer takes him from the seamy streets of the East End, to gatherings of the London ton in Mayfair, to the chambers of respectable Middle Temple barristers. Lacey investigates The Glass House, a sordid gaming hell that played a large part in the victim's past.

In the course of his investigation, Lacey uncovers secrets from the highborn and the low, finds himself drawn deeper into the schemes of a crime lord, and searches for a way to ease the difficulties of his own life.

Book 3 of the Captain Lacey Regency Mysteries. For fans of Kate Ross, Anne Perry, and C.S. Harris. This is a full-length novel.From the author of the popular Weather Warden series. Welcome to Morganville, Texas.

Just don't stay out aft! er dark.

College freshman Claire Danvers has had en! ough of her nightmarish dorm situation, where the popular girls never let her forget just where she ranks in the school's social scene: somewhere less than zero.

When Claire heads off-campus, the imposing old house where she finds a room may not be much better. Her new roommates don't show many signs of life. But they'll have Claire's back when the town's deepest secrets come crawling out, hungry for fresh blood.
web log free