Be Cool

• ISBN13: 9780060777067
• Condition: Used - Very Good
• Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Starring an unbelievably hip all-star cast, including John Travolta, Uma Thurman, André 3000, Steven Tyler and The Rock, and bursting with the hottest music in the biz, Be Cool is the wildly hilarious tale about a gangster turned music mogul and what it takes to be number one with a bullet. When Chili Palmer (Travolta) decides to try his hand in the music industry, he romances thesultry widow (Thurman) of a recently whacked music exec, poaches a hot young singer (Christina Milian) from a rival label and discovers that the record industry is packin' a whole lot more than a tune!Be Cool takes its own advice: It's slick, Hollywood entertainment that kills two amusing hours with relative ease and comfort. Bett! er than leftovers but not as tasty as a full-course meal, this sequel to 1995's hit comedy Get Shorty (and based on Elmore Leonard's 1999 sequel novel) finds former loan shark Chili Palmer (John Travolta) itching to get out of the movie business, so he hooks up with a newly widowed music executive (Uma Thurman) to launch the career of an up-'n-coming Beyoncé-like singer (newcomer Christina Milian). A mock-black manager (Vince Vaughn), his sleazy boss (Harvey Keitel), and an upscale gangsta-rap executive (Cedric the Entertainer) all have a competing stake in the fast-rising pop diva's future, and this sets the plot rolling in a fun but rather hand-me-down fashion that lacks the savvy panache of Get Shorty but still provides plenty of lightweight humor. The Rock and Outkast's André Benjamin provide the best laughs in supporting roles that effortlessly relieve the movie from the symptoms of sequelitis. --Jeff ShannonStudio: Tcfhe/mgm Release Date: 07/05! /2011 Rating: Pg13Starring an unbelievably hip all-star cast,! includi ng John Travolta, Uma Thurman, André 3000, Steven Tyler and The Rock, and bursting with the hottest music in the biz, Be Cool is the wildly hilarious tale about a gangster turned music mogul and what it takes to be number one with a bullet. When Chili Palmer (Travolta) decides to try his hand in the music industry, he romances thesultry widow (Thurman) of a recently whacked music exec, poaches a hot young singer (Christina Milian) from a rival label and discovers that the record industry is packin' a whole lot more than a tune!Be Cool takes its own advice: It's slick, Hollywood entertainment that kills two amusing hours with relative ease and comfort. Better than leftovers but not as tasty as a full-course meal, this sequel to 1995's hit comedy Get Shorty (and based on Elmore Leonard's 1999 sequel novel) finds former loan shark Chili Palmer (John Travolta) itching to get out of the movie business, so he hooks up with a newly widowed music executive (Uma Thurm! an) to launch the career of an up-'n-coming Beyoncé-like singer (newcomer Christina Milian). A mock-black manager (Vince Vaughn), his sleazy boss (Harvey Keitel), and an upscale gangsta-rap executive (Cedric the Entertainer) all have a competing stake in the fast-rising pop diva's future, and this sets the plot rolling in a fun but rather hand-me-down fashion that lacks the savvy panache of Get Shorty but still provides plenty of lightweight humor. The Rock and Outkast's André Benjamin provide the best laughs in supporting roles that effortlessly relieve the movie from the symptoms of sequelitis. --Jeff ShannonDisc 1: GET SHORTY Disc 2: BE COOL

The sequel to Chili Palmer's hit movie Get Leo tanked and now Chili's itching for a comeback. So when a power lunch with record-label executive and former associate Tommy Athens ends in a mob hit, he soon finds himself in an unlikely alliance with organized-crime detective Darryl Holmes and the likely next ! target of Russian gangsters. But where others see danger, Chil! i Palmer sees story possibilities.

Enter Linda Moon, a singer with aspirations that go further than her current gig in a Spice Girls cover band. Chili takes over as Linda's manager, entering the world of rock stars, pop divas, and hip-hop gangstas. As he wings his way to success in the music business with his trademark cool, Chili manipulates his adversaries and advances his friends, all the while basing the plot of his new film on the action that results. Be Cool is rife with drama, jealousy, and betrayal, and all Chili needs to do is survive to make a new box-office hit.

The film Get Shorty was a success on many fronts. It introduced a new style of hip gangster that revised the stereotype of the Godfather series. It also helped relaunch the career of John Travolta. And it brought Elmore Leonard's impressive body of fiction to larger public attention. In Hollywood, such a triumph usually spawns a sequel--a film that rehashes the great jokes an! d cool scenes of the first film, but with none of the panache that initially inspired audiences.

In the beginning of Be Cool, the sequel to the novel Get Shorty, readers are reminded that Chili Palmer--like his creator--scored a huge success with a gangster film (his was entitled Get Leo). But the sequel, Get Lost, was a predictable dud. Rather than follow that sordid story, however, Leonard takes Chili into a totally new direction. He places Chili on a murder investigation (in which he is a prime suspect) and then traces Chili's entry into the music business. Meanwhile, Leonard reveals a whole new cast of fresh, funny, and flaky characters to populate Chili's world, characters like Elliot the gigantic, gay, Samoan bodyguard who lives to be on the stage. Throughout, the voice of John Travolta rings in Chili's every speech (word has it that Travolta has already been cast to reprise the role) as Leonard pokes fun at the Hollywood ! apparatus and the task of a sequel writer.

Be Cool surp asses its original because it is so self-consciously a novel about sequels, about the sometimes cowardice that limits the creativity of the American film industry. It is hard to imagine how Leonard could top the multilayered satire/crime novel/exposé. One only hopes for a sequel. Fans of Be Cool might want to check out music from The Stone Coyotes, the band that served as Leonard's model in the book. --Patrick O'Kelley

The Borrowers

• ISBN13: 9780152047375
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

The classic story of tiny Pod, Homily, and Arrietty Clock, who live under the kitchen floorboards and borrow from "human beans," has charmed readers for fifty years.

To celebrate the golden anniversary of Mary Norton's timelessly popular tale, Harcourt presents this handsome gift edition. Features include a new foreword by renowned children's book author, historian, and critic Leonard S. Marcus; Diana Stanley's heartwarming illustrations from the original British edition; a letter by Mary Norton describing the origins of the Borrowers; and a never-before-published sketch of Homily and Arrietty drawn by Mary Norton herself.

Anyone who has ever entertained the notion of "little peopl! e" living furtively among us will adore this artfully spun classic. The Borrowers--a Carnegie Medal winner, a Lewis Carroll Shelf Award book, and an ALA Distinguished Book--has stolen the hearts of thousands of readers since its 1953 publication. Mary Norton (1903-1993) creates a make-believe world in which tiny people live hidden from humankind beneath the floorboards of a quiet country house in England.

Pod, Homily, and daughter Arrietty of the diminutive Clock family outfit their subterranean quarters with the tidbits and trinkets they've "borrowed" from "human beans," employing matchboxes for storage and postage stamps for paintings. Readers will delight in the resourceful way the Borrowers recycle household objects. For example, "Homily had made her a small pair of Turkish bloomers from two glove fingers for 'knocking about in the mornings.'"

The persistent pilfering goes undetected until a boy (with a ferret!) comes to live in the country house. Curios! ity drives Arrietty to commit the worst mistake a Borrower can! make: s he allows herself to be seen. This engaging, sometimes hair-raisingly suspenseful adventure is recounted in the kind, eloquent voice of narrator Mrs. May, whose brother might--just might--have seen an actual Borrower in the country house many years ago. (Ages 9 to 12)

Pod, Homily, and Arrietty Clock's huge adventures have been thrilling children young and old for fifty years--and their appeal is as strong as ever in these handsome new paperback packages. While the original beloved interior illustrations by Beth and Joe Krush have been retained, Marla Frazee's striking cover illustrations capture these little people with a larger-than-life appeal.

Anyone who has ever entertained the notion of "little people" living furtively among us will adore this artfully spun classic. The Borrowers--a Carnegie Medal winner, a Lewis Carroll Shelf Award book, and an ALA Distinguished Book--has stolen the hearts of thousands of readers since its 1953 publicat! ion. Mary Norton (1903-1993) creates a make-believe world in which tiny people live hidden from humankind beneath the floorboards of a quiet country house in England.

Pod, Homily, and daughter Arrietty of the diminutive Clock family outfit their subterranean quarters with the tidbits and trinkets they've "borrowed" from "human beans," employing matchboxes for storage and postage stamps for paintings. Readers will delight in the resourceful way the Borrowers recycle household objects. For example, "Homily had made her a small pair of Turkish bloomers from two glove fingers for 'knocking about in the mornings.'"

The persistent pilfering goes undetected until a boy (with a ferret!) comes to live in the country house. Curiosity drives Arrietty to commit the worst mistake a Borrower can make: she allows herself to be seen. This engaging, sometimes hair-raisingly suspenseful adventure is recounted in the kind, eloquent voice of narrator Mrs. May, whose bro! ther might--just might--have seen an actual Borrower in the c! ountry h ouse many years ago. (Ages 9 to 12)

Pod, Homily, and Arrietty Clock's huge adventures have been thrilling children young and old for fifty years--and their appeal is as strong as ever in these handsome new paperback packages. While the original beloved interior illustrations by Beth and Joe Krush have been retained, Marla Frazee's striking cover illustrations capture these little people with a larger-than-life appeal.

Pod, Homily, and Arrietty Clock's huge adventures have been thrilling children young and old for fifty years--and their appeal is as strong as ever in these handsome new paperback packages. While the original beloved interior illustrations by Beth and Joe Krush have been retained, Marla Frazee's striking cover illustrations capture these little people with a larger-than-life appeal.

Anyone who has ever entertained the notion of "little people" living furtively among us will adore this artfully spun classic. The Borrowers--a Carnegie Medal winner, a Lewis Carroll Shelf Award book, and an ALA Distinguished Book--has stolen the hearts of thousands of readers since its 1953 publication. Mary Norton (1903-1993) creates a make-believe world in which tiny people live hidden from humankind beneath the floorboards of a quiet country house in England.

Pod, Homily, and daughter Arrietty of the diminutive Clock family outfit their subterranean quarters with the tidbits and trinkets they've "borrowed" from "human beans," employing matchboxes for storage and postage stamps for paintings. Readers will delight in the resourceful way the Borrowers recycle household objects. For example, "Homily had made her a small pair of Turkish bloomers from two glove fingers for 'knocking about in the mornings.'"

The persistent pilfering goes undetected until a boy (with a ferret!) comes to live in the country house. Curiosity drives Arrietty to commit the worst mistake a Borrower can make: s! he allows herself to be seen. This engaging, sometimes hair-r! aisingly suspenseful adventure is recounted in the kind, eloquent voice of narrator Mrs. May, whose brother might--just might--have seen an actual Borrower in the country house many years ago. (Ages 9 to 12)

Joy Division (The Miriam Collection)

• Fans of the gloomy Manchester-based band from the late 1970s will have less to feel down about with the release of this rockumentary. JOY DIVISION follows the unlikely rise of these working lads up to Ian Curtis's suicide, which tore the band apart until it was reborn as New Order. Included here is rare footage of the group as well as their moody and starkly photographed videos, capturing the

Control tells the remarkable story of Ian Curtis, lead singer of the influential band Joy Division and one of the most enigmatic figures in all of rock music. Based on his wife's memoir, Control follows Curtis' humble Manchester origins and his rapid rise to fame, tormented battle with epilepsy, and struggles with love that led to his death at the age of 23.In his elegiac debut, Anton Corbijn combines the music film with the social drama to stunning success. Based on Deborah Curtis's clear-eyed biography! , Touching from a Distance, Control recounts the wrenching tale of a working-class lad about to hit the highest highs only to be waylaid by the lowest lows. Born and raised in Macclesfield, a suburban community outside Manchester, Ian Curtis (newcomer Sam Riley in a remarkable performance) dreams of fronting a band. Just out of high school in the mid-1970s, he finds three like minds with whom he forms post-punk quartet Warsaw--better known as Joy Division (Riley and castmates ably recreate their somber sound). All the while, he falls in love, marries, and fathers a child with Deborah (Samantha Morton, turning a thankless role into a triumph). While Curtis should be enjoying parenthood and newfound fame, he's plagued by seizures. A diagnosis of epilepsy leads to powerful medications with unpredictable side effects. Then, while on tour, he falls in love with another woman. His solution to these problems is a matter of public record, but Corbijn concentrates on C! urtis's life rather than his death. Just as Control est! ablishes a link between such disparate black and white works as fellow photographer Bruce Weber's Let's Get Lost and kitchen-sink classics like The Loneliness of the Long Distance Runner, the Dutch-born, UK-based director presents his subject not as some iconic T-shirt image, but as a deeply flawed--if massively talented--human being. --Kathleen C. FennessyA convicted killer is given a second chance at life if he is willing to take part in a behavioral modification program.
Genre: Feature Film-Action/Adventure
Rating: R
Release Date: 6-JUN-2006
Media Type: DVDIn his elegiac debut, Anton Corbijn combines the music film with the social drama to stunning success. Based on Deborah Curtis's clear-eyed biography, Touching from a Distance, Control recounts the wrenching tale of a working-class lad about to hit the highest highs only to be waylaid by the lowest lows. Born and raised in Macclesfield, a suburban commun! ity outside Manchester, Ian Curtis (newcomer Sam Riley in a remarkable performance) dreams of fronting a band. Just out of high school in the mid-1970s, he finds three like minds with whom he forms post-punk quartet Warsaw--better known as Joy Division (Riley and castmates ably recreate their somber sound). All the while, he falls in love, marries, and fathers a child with Deborah (Samantha Morton, turning a thankless role into a triumph). While Curtis should be enjoying parenthood and newfound fame, he's plagued by seizures. A diagnosis of epilepsy leads to powerful medications with unpredictable side effects. Then, while on tour, he falls in love with another woman. His solution to these problems is a matter of public record, but Corbijn concentrates on Curtis's life rather than his death. Just as Control establishes a link between such disparate black and white works as fellow photographer Bruce Weber's Let's Get Lost and kitchen-sink classics like The L! oneliness of the Long Distance Runner, the Dutch-born, UK-! based di rector presents his subject not as some iconic T-shirt image, but as a deeply flawed--if massively talented--human being. --Kathleen C. FennessyJoy Division is a "fascinating look at the brief but vital trajectory of a band that died with its troubled frontman, Ian Curtis" (Jason Gargano, Cincinnati CityBeat), only to be reborn as the equally influential New Order. Featuring interviews with all surviving band members, Joy Division explores the Manchester origins of this revolutionary act, their partnership with Factory Records founder Tony Wilson, and collaboration with legendary producer Martin Hannett.While Michael Winterbottom's 24 Hour Party People took on impresario Tony Wilson and Anton Corbijn's Control concentrated on singer Ian Curtis, Grant Gee's Joy Division opts for non-fiction over biopic. Together, the three films create a multi-dimensional portrait of Manchester in the post-punk era. Curtis's minimalist quartet arose simultaneously ! as a product of and a reaction to their industrial environment. As Factory Records co-founder Wilson states, "I don't see this as the story of a pop group, I see this as the story of a city that once upon a time was shiny and bold and revolutionary." (Wilson succumbed to cancer shortly afterwards.) Written by Jon Savage (England's Dreaming), the narrative follows the oral history form. Aside from the surviving members of the band, Bernard Sumner, Peter Hook, and Stephen Morris (Curtis committed suicide in 1980), other speakers include designer Peter Saville, Curtis's girlfriend Annik Honoré, and musician Genesis P. Orridge (Throbbing Gristle). Only Curtis's wife, Deborah, chose not to appear on camera, so Gee (Radiohead: Meeting People Is Easy) uses text from her biography, Touching from a Distance. Loaded with rare audio and visual material, like Joy Division's aborted RCA sessions and manager Rob Gretton's notes, Gee presents the definitive documenta! ry of a timeless band. Unlike Corbijn's stately feature, his s! tylish t ribute ends on a more optimistic note: with the birth of New Order in the 1980s and the re-birth of Manchester in the 2000s. Extra features include 75 minutes of bonus interviews and a BBC performance of "Transmission." --Kathleen C. Fennessy

Godzilla Bandai 6.5 Inch Classic Figure Godzilla Millennium

• Godzilla Bandai 6.5 Inch Classic Figure Godzilla Millennium

Godzilla Bandai 6.5 Inch Classic Figure Godzilla Millennium

Awake

• Awake turns the disturbingly real phenomenon of anesthetic awareness - in which surgery patients, through completely paralyzed, are conscious of everything they are experiencing, including the pain - into a "completely absorbing" thriller (Roger Ebert). When failed anesthesia leaves a rich young tycoon (Hayden Christensen, Star Wars) alert but immobilized during open heart surgery, he over

AWAKE is a sexy, psychological thriller about a common occurrence called "anesthetic awareness" a horrifying phenomenon wherein a patient's failed anesthesia leaves him fully conscious but physically paralyzed during surgery. The patient's charming new wife is forced to struggle with her own demons as a terrifying drama unfolds around the couple.There's a hint of classic noir in the twists and turns that make up Awake, a medical thriller that hinges on an alarming real-life condition known as anesth! esia awareness, which keeps surgery patients awake but immobile during surgery. Hayden Christensen is top-billed as the scion of a wealthy banking family in desperate need of a heart transplant. Seconds after the operation commences, he discovers that he is fully conscious, yet unable to move; and what's worse, the entire procedure is slated to fail in order to claim his considerable fortune. Once the scheme is set in motion, Awake moves into high gear, and the stock characters established in the exposition-heavy opening show their true (and decidedly scurrilous) colors. Unfortunately, the suspense is undone by Christensen undergoing what appears to be a confusing out-of-body experience, and a conclusion that begs for more suspension of disbelief than most audiences will be able to summon up. Christensen and Jessica Alba (as his new bride) are attractive but bland; instead, it's Howard who delivers as the film's conflicted antihero. The supporting players, including ! Lena Olin as Christensen's overprotective mom, Christopher McD! onald, a nd Arliss Howard also lend considerable credence to the material. -- Paul Gaita

Crazy Love DVD Study Resource

• ISBN13: 9781434766274
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Steve Carell and Ryan Gosling lead an all-star cast in Crazy, Stupid, Love. Fortysomething straight-laced Cal Weaver (Carell) is living the dreamâ€"good job, nice house, great kids and marriage to his high school sweetheart, Emily (Julianne Moore). So when Cal learns that his wife has cheated on him and wants a divorce, his “perfect” life quickly unravels. Cal, who hasn't dated in decades, stands out as the epitome of un-smooth so handsome player Jacob Palmer (Gosling) takes him on as wingman and protégé, opening Cal’s eyes to the many options before him: flirty women, manly drinks and a sense of style. Despite Cal's makeover and his many new conquests, the one thing that can’t be made! over is his heart, which seems to keep leading Cal back to where he began. Brimming with inspired performances, critics are calling this gem of a romantic comedy “a movie that understands love” (Owen Gleiberman, Entertainment Weekly). Crazy, Stupid, Love is a romantic comedy with a big heart--a refreshing change from its Hangover-laden compatriots, and almost a throwback to a golden era of romance. For Crazy, Stupid, Love relies on the sharp writing by Dan Fogelman (animated hits like Bolt, Tangled) and the sparkly chemistry of its cast, led by Steve Carell, Ryan Gosling, Julianne Moore, and the emerging superstar Emma Stone. It's not that the plot is ground-breaking--maybe, in fact, the appeal of Crazy, Stupid, Love is that it's all too relatable. Cal (Carell) is long married to Emily (Moore), until one day she drops divorce on him, out of the blue. Stunned, Cal tries to reassemble his life as a woefully unprepared sing! le guy. Enter Jacob (Gosling, who's never been better) as a ha! ppy bach elor whose tips for Cal will be ones that even the most happily wed female viewers will secretly want their mates to hear. Marisa Tomei has a hilarious turn as a temptress who's way out of Cal's league. And Stone is the fresh-faced, fearless young woman who shakes the confident Jacob's supposedly solid world view.

But it's the interplay between the characters, the true humanness of their emotions--long missing from many contemporary "romantic comedies"--that set Crazy, Stupid, Love in a class of its own. Moore is more than just the weary, accusatory neglected wife--someone who's never stopped believing in the spark of love. Gosling could easily be his generation's Cary Grant--assured, quick-witted, sly, yet vulnerable. Carell once again shows his dramatic capabilities on top of his impeccable comic timing. And Stone is a revelation, lovely, delicate, vulnerable but strong. Crazy, Stupid, Love will reaffirm the viewer's belief in all that's possible. Call us ! crazy. --A.T. HurleySteve Carell and Ryan Gosling lead an all-star cast in Crazy, Stupid, Love. Fortysomething straight-laced Cal Weaver (Carell) is living the dreamâ€"good job, nice house, great kids and marriage to his high school sweetheart, Emily (Julianne Moore). So when Cal learns that his wife has cheated on him and wants a divorce, his “perfect” life quickly unravels. Cal, who hasn't dated in decades, stands out as the epitome of un-smooth so handsome player Jacob Palmer (Gosling) takes him on as wingman and protégé, opening Cal’s eyes to the many options before him: flirty women, manly drinks and a sense of style. Despite Cal's makeover and his many new conquests, the one thing that can’t be made over is his heart, which seems to keep leading Cal back to where he began. Brimming with inspired performances, critics are calling this gem of a romantic comedy “a movie that understands love” (Owen Gleiberman, Entertainment Weekly). ! Crazy, Stupid, Love is a romantic comedy with a big heart-! -a refre shing change from its Hangover-laden compatriots, and almost a throwback to a golden era of romance. For Crazy, Stupid, Love relies on the sharp writing by Dan Fogelman (animated hits like Bolt, Tangled) and the sparkly chemistry of its cast, led by Steve Carell, Ryan Gosling, Julianne Moore, and the emerging superstar Emma Stone. It's not that the plot is ground-breaking--maybe, in fact, the appeal of Crazy, Stupid, Love is that it's all too relatable. Cal (Carell) is long married to Emily (Moore), until one day she drops divorce on him, out of the blue. Stunned, Cal tries to reassemble his life as a woefully unprepared single guy. Enter Jacob (Gosling, who's never been better) as a happy bachelor whose tips for Cal will be ones that even the most happily wed female viewers will secretly want their mates to hear. Marisa Tomei has a hilarious turn as a temptress who's way out of Cal's league. And Stone is the fresh-faced, fearless young wom! an who shakes the confident Jacob's supposedly solid world view.

But it's the interplay between the characters, the true humanness of their emotions--long missing from many contemporary "romantic comedies"--that set Crazy, Stupid, Love in a class of its own. Moore is more than just the weary, accusatory neglected wife--someone who's never stopped believing in the spark of love. Gosling could easily be his generation's Cary Grant--assured, quick-witted, sly, yet vulnerable. Carell once again shows his dramatic capabilities on top of his impeccable comic timing. And Stone is a revelation, lovely, delicate, vulnerable but strong. Crazy, Stupid, Love will reaffirm the viewer's belief in all that's possible. Call us crazy. --A.T. HurleySteve Carell and Ryan Gosling lead an all-star cast in Crazy, Stupid, Love. Fortysomething straight-laced Cal Weaver (Carell) is living the dreamâ€"good job, nice house, great kids and marriage to his high school swe! etheart, Emily (Julianne Moore). So when Cal learns that his w! ife has cheated on him and wants a divorce, his “perfect” life quickly unravels. Cal, who hasn't dated in decades, stands out as the epitome of un-smooth so handsome player Jacob Palmer (Gosling) takes him on as wingman and protégé, opening Cal’s eyes to the many options before him: flirty women, manly drinks and a sense of style. Despite Cal's makeover and his many new conquests, the one thing that can’t be made over is his heart, which seems to keep leading Cal back to where he began. Brimming with inspired performances, critics are calling this gem of a romantic comedy “a movie that understands love” (Owen Gleiberman, Entertainment Weekly). Crazy, Stupid, Love is a romantic comedy with a big heart--a refreshing change from its Hangover-laden compatriots, and almost a throwback to a golden era of romance. For Crazy, Stupid, Love relies on the sharp writing by Dan Fogelman (animated hits like Bolt, Tangled) and the sparkly che! mistry of its cast, led by Steve Carell, Ryan Gosling, Julianne Moore, and the emerging superstar Emma Stone. It's not that the plot is ground-breaking--maybe, in fact, the appeal of Crazy, Stupid, Love is that it's all too relatable. Cal (Carell) is long married to Emily (Moore), until one day she drops divorce on him, out of the blue. Stunned, Cal tries to reassemble his life as a woefully unprepared single guy. Enter Jacob (Gosling, who's never been better) as a happy bachelor whose tips for Cal will be ones that even the most happily wed female viewers will secretly want their mates to hear. Marisa Tomei has a hilarious turn as a temptress who's way out of Cal's league. And Stone is the fresh-faced, fearless young woman who shakes the confident Jacob's supposedly solid world view.

But it's the interplay between the characters, the true humanness of their emotions--long missing from many contemporary "romantic comedies"--that set Crazy, Stupid, Love in a! class of its own. Moore is more than just the weary, accusato! ry negle cted wife--someone who's never stopped believing in the spark of love. Gosling could easily be his generation's Cary Grant--assured, quick-witted, sly, yet vulnerable. Carell once again shows his dramatic capabilities on top of his impeccable comic timing. And Stone is a revelation, lovely, delicate, vulnerable but strong. Crazy, Stupid, Love will reaffirm the viewer's belief in all that's possible. Call us crazy. --A.T. HurleyRyan Reynolds and Jason Bateman star in the outrageous comedy from the director of Wedding Crashers and the writers of The Hangover. One drunken night, two friends admit that they wish they had the other's life. Mitch (Reynolds) thinks Dave has it all: a beautiful, loving family and a high-paying job at a prestigious law firm. But Dave (Bateman) thinks Mitch's stress-free life without obligation or consequence is the real dream come true. The next morning they wake up, hungover, in each other's bodies, and proceed to freak out! With time ! not on their side, Mitch and Dave comically struggle to avoid completely destroying each other's lives before they can find a way to get their old ones back. Starring: Ryan Reynolds, Jason Bateman, Leslie Mann, Olivia Wilde, Craig Bierko, Alan Arkin Directed by: David Dobkin

It's crazy, if you think about it. The God of the universe loves us with a radical, unconditional, self-sacrificing love. And what is our typical response? We go to church, sing songs, and try not to cuss. God is calling you to a passionate love relationship with Himself. Because the answer to religious complacency isn't working harder at a list of do's and don'tsâ€"it's falling in love with God.

The Crazy Love Study Resource helps you and your small group to dive deeper into God's love. A companion to the best-selling Crazy Love book, by pastor Francis Chan, this 10-week study follows a day-in-the-life of Francis in the form of ten, 10-minute segments that corresp! ond to each chapter of Crazy Love.  These thought-prov! oking te achings are designed spark discussion, interaction, and practical application of the Crazy Love message with small groups, churches, youth groups, and individuals.

DVD includes:

• Ten teaching segments with questions for small group discussion.
• Printable Small Group Study Guide.
• Behind-the-scenes footage and outtakes

Gerber Descent II.

• Overall length: 7.5"
• Closed length: 4.65". Blade length: 3".
• Open-frame lock mechansim
• Black titanium PVD coating
• Attachable carabiner clip

For Each, There Could Be Only One: They came from the darkest places: secluded monasteries, the Carpathian mountains, galaxies under siege. They were men with the blackest pasts-warriors, vampire monks, leaders of armies-but whose passions burned like dying stars. They had one purpose: to find those women who fulfilled them, completed them, and made them rage with a fire both holy and profane. They sought soul mates whose touch consumed them with desire, yet whose kisses refreshed like the coolest rain. And each man knew that for him there was only one true love-and in finding her, he would find salvation.

For Each, There Could Be Only One: They came from the darkest places: secluded monasteries, the Carpathian mou! ntains, galaxies under siege. They were men with the blackest pasts-warriors, vampire monks, leaders of armies-but whose passions burned like dying stars. They had one purpose: to find those women who fulfilled them, completed them, and made them rage with a fire both holy and profane. They sought soul mates whose touch consumed them with desire, yet whose kisses refreshed like the coolest rain. And each man knew that for him there was only one true love-and in finding her, he would find salvation.

Gerber Knives - Descent II Linerlock Knife with Black Titanium Nitride Coated Aluminum Open Frame Design. Model: G0201. 4 5/8" closed linerlock. 2 7/8" stainless black titanium nitride coated blade with dual thumb studs. Black titanium nitride coated aluminum open frame design. Integrated carabiner clip. Black stainless pocket clip. Boxed."

The Game Plan (Full Screen Edition)

• In this hilarious and heartwarming family comedy, one of the sport's toughest players ever takes on his biggest challenge yet -- fatherhood! A superstar with an ego bigger than a football field, Joe Kingman (Dwayne "The Rock" Johnson) is getting ready for a run at the big championship game when the 8-year-old daughter he never knew existed shows up at his not-so-family-friendly bachelo

Dwayne "The Rock" Johnson stars in this gritty and inspirational movie based on a true story of a group of teenage delinquents given a second chance to redeem themselves by playing football. Sean Porter (Johnson) is a frustrated juvenile probation officer. Most of the kids in his detention camp are either sent back to prison once they leave or meet a violent end when they return to the streets. Desperately looking for a way to make a difference, he and his co-worker Malcolm Moore (Xzibit, TV's Pimp My Ride) devise a plan to teach discipline and responsibility through the game of football. But with only four weeks before the start of the season, Porter must overcome insurmountable odds to put together a competitive team. It's a season that will test their minds, spirit, and bodies as Porter teaches his players the principles of good character, strength through resiliency, and genuine respect for one another.

In Gridiron Gang, Dwayne "The Rock" Johnson once again displays far more cinematic charisma than one could expect from a former professional wrestler. Sean Porter (Johnson, Be Cool), a football player turned juvenile detention counselor, wrestles with a seemingly insolvable problem: The vast majority of young men who leave detention fall right back into crime. Seeking a way to give these not-yet-hardened kids a taste of self-esteem and discipline, Porter persuades his superiors to let him teach the kids football--and then take on high school teams. Thoug! h based on a true story (documentary footage over the closing ! credits reveals that some dialogue was lifted straight from the real Sean Porter's mouth), Gridiron Gang is pure underdogs-overcome-adversity formula. A formula is not necessarily a bad thing; when executed with skill and commitment, fulfilling a classic story mechanism can be perfectly satisfying, and Gridiron Gang qualifies. But it's Johnson who carries it through, demonstrating--in the most unlikely of roles--a surprisingly gentle touch. Johnson manages to be manly without overbearing machismo, earning not only respect but empathy. --Bret Fetzer

Stills from Gridiron Gang (click for larger image)

Beyond Gridiron Gang at Amazon.com

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Other Films about Underdogs

Dwayne "The Rock" Johnson stars in this gritty and inspirational movie based on a true story of a group of teenage delinquents given a second chance to redeem themselves by playing football. Sean Porter (Johnson) is a frustrated juvenile probation officer. Most of the kids in his detention camp are either sent back to prison once they leave or meet a violent end when they return to the streets. Desperately looking for a way to make a difference, he an! d his co-worker Malcolm Moore (Xzibit, TV's Pimp My Ride) devise a plan to teach discipline and responsibility through the game of football. But with only four weeks before the start of the season, Porter must overcome insurmountable odds to put together a competitive team. It's a season that will test their minds, spirit, and bodies as Porter teaches his players the principles of good character, strength through resiliency, and genuine respect for one another.

In Gridiron Gang, Dwayne "The Rock" Johnson once again displays far more cinematic charisma than one could expect from a former professional wrestler. Sean Porter (Johnson, Be Cool), a football player turned juvenile detention counselor, wrestles with a seemingly insolvable problem: The vast majority of young men who leave detention fall right back into crime. Seeking a way to give these not-yet-hardened kids a taste of self-esteem and discipline, Porter persuades his superiors to let him teach! the kids football--and then take on high school teams. Though! based o n a true story (documentary footage over the closing credits reveals that some dialogue was lifted straight from the real Sean Porter's mouth), Gridiron Gang is pure underdogs-overcome-adversity formula. A formula is not necessarily a bad thing; when executed with skill and commitment, fulfilling a classic story mechanism can be perfectly satisfying, and Gridiron Gang qualifies. But it's Johnson who carries it through, demonstrating--in the most unlikely of roles--a surprisingly gentle touch. Johnson manages to be manly without overbearing machismo, earning not only respect but empathy. --Bret Fetzer

Stills from Gridiron Gang (click for larger image)

!

Beyond Gridiron Gang at Amazon.com

More Football Films

The Soundtrack

Films about Underdogs

Dwayne "The Rock" Johnson stars in this gritty and inspirational movie based on a true story of a group of teenage delinquents given a second chance to redeem themselves by playing football. Sean Porter (Johnson) is a frustrated juvenile probation officer. Most of the kids in his detention camp are either sent back to prison once they leave or meet a violent end when they return to the streets. De! sperately looking for a way to make a difference, he and his co-worker Malcolm Moore (Xzibit, TV's "Pimp My Ride") devise a plan to teach discipline and responsibility through the game of football. But with only four weeks before the start of the season, Porter must overcome insurmountable odds to put together a competitive team. It's a season that will test their minds, spirit, and bodies as Porter teaches his players the principles of good character, strength through resiliency, and genuine respect for one another.

In Gridiron Gang, Dwayne "The Rock" Johnson once again displays far more cinematic charisma than one could expect from a former professional wrestler. Sean Porter (Johnson, Be Cool), a football player turned juvenile detention counselor, wrestles with a seemingly insolvable problem: The vast majority of young men who leave detention fall right back into crime. Seeking a way to give these not-yet-hardened kids a taste of self-esteem and disciplin! e, Porter persuades his superiors to let him teach the kids fo! otball-- and then take on high school teams. Though based on a true story (documentary footage over the closing credits reveals that some dialogue was lifted straight from the real Sean Porter's mouth), Gridiron Gang is pure underdogs-overcome-adversity formula. A formula is not necessarily a bad thing; when executed with skill and commitment, fulfilling a classic story mechanism can be perfectly satisfying, and Gridiron Gang qualifies. But it's Johnson who carries it through, demonstrating--in the most unlikely of roles--a surprisingly gentle touch. Johnson manages to be manly without overbearing machismo, earning not only respect but empathy. --Bret Fetzer

Stills from Gridiron Gang (click for larger image)

Beyond Gridiron Gang at Amazon.com

!

More Football Films

The Soundtrack

Films about Underdogs

Dwayne "The Rock" Johnson stars in this gritty and inspirational movie based on a true story of a group of teenage delinquents given a second chance to redeem themselves by playing football. Sean Porter (Johnson) is a frustrated juvenile probation officer. Most of the kids in his detention camp are either sent back to prison once they leave or meet! a violent end when they return to the streets. Desperately looking for a way to make a difference, he and his co-worker Malcolm Moore (Xzibit, TV's Pimp My Ride) devise a plan to teach discipline and responsibility through the game of football. But with only four weeks before the start of the season, Porter must overcome insurmountable odds to put together a competitive team. It's a season that will test their minds, spirit, and bodies as Porter teaches his players the principles of good character, strength through resiliency, and genuine respect for one another.

In Gridiron Gang, Dwayne "The Rock" Johnson once again displays far more cinematic charisma than one could expect from a former professional wrestler. Sean Porter (Johnson, Be Cool), a football player turned juvenile detention counselor, wrestles with a seemingly insolvable problem: The vast majority of young men who leave detention fall right back into crime. Seeking a way to give these not! -yet-hardened kids a taste of self-esteem and discipline, Port! er persu ades his superiors to let him teach the kids football--and then take on high school teams. Though based on a true story (documentary footage over the closing credits reveals that some dialogue was lifted straight from the real Sean Porter's mouth), Gridiron Gang is pure underdogs-overcome-adversity formula. A formula is not necessarily a bad thing; when executed with skill and commitment, fulfilling a classic story mechanism can be perfectly satisfying, and Gridiron Gang qualifies. But it's Johnson who carries it through, demonstrating--in the most unlikely of roles--a surprisingly gentle touch. Johnson manages to be manly without overbearing machismo, earning not only respect but empathy. --Bret Fetzer

Stills from Gridiron Gang (click for larger image)

Beyond Grid! iron Gang at Amazon.com

More Football Films

The Soundtrack

Films about Underdogs

Movie DVD"When you look at me, what do you see?" pontificates football star Joe Kingman, then provides the answer: "Greatness." Well, clearly an ego like that needs to be brought down to size--pint-size. The winning family comedy The Game Plan has a whole lot going for it, including star! Dwayne "The Rock" Johnson, who's a natural comedic actor (and the camera loves him), and the young actress (Madison Pettis) who plays the daughter he didn't know he had, Peyton. The plot doesn't break much new ground, since many films have mined the territory of the self-indulgent child-adult who suddenly "inherits" a child (from Three Men and a Baby to Baby Boom to Big Daddy to Raising Helen). But thanks to the charismatic performance of Johnson, the film is winsome and uplifting. Johnson's comic timing and straight-man face are spot-on, as is his warm chemistry with the sweet-faced Pettis. Also giving notable performances are the lovely Roselyn Sanchez as Peyton's ballet teacher, and Kyra Sedgwick as Kingman's hard-nosed agent who's aghast at the appearance of an out-of-wedlock child. Children and adults both can enjoy the movie's warm-and-fuzzy moral of making family where you find it--or where it finds you. --A.T. Hurley